Father and Son live together in a rooftop apartment. They have lived alone for years in their own private world, full of memories and daily rituals. Sometimes they seem like brothers. Sometimes even like lovers. Following in his father’s footsteps, Alexei attends military school. He likes sports, tends to be irresponsible and has problems with his girlfriend. She is jealous of Alexei’s close relationship with his father. Despite knowing that all sons must one day live their own lives, Alexei is conflicted. Alexei’s father knows he should maybe accept a better job in another city, maybe search for a new wife. But who will ease the pain of Alexei’s nightmares? Never has love between a father and son been so strong. –Cannes Film Festival
One of the most important directors in both Russian and world cinema, Alexander Sokurov is considered by many to be the spiritual heir of the great Andrei Tarkovsky. Sokurov — who has enjoyed a long creative relationship with Tarkovsky — has discounted such comparisons, but certain similarities between their works remain indelible: a predilection towards very long takes, natural performances by their actors, and an almost otherworldly use of natural sounds and music. And, perhaps most important, both directors are concerned with the essential questions of human existence and the state of the human spirit.
Sokurov was the son of a World War II veteran. His family moved around a good deal while Sokurov was growing up, and after finishing high school, he went to Gorki, Russia’s third largest city. There, he attended Gorki University and began to work as an assistant television director when he was 19. He continued to direct television programs for the Gorki station until 1975, and… read more
Sokurov does it again, painting in a dreamlike St. Petersburg a moving art-piece in which the relationship between the two characters trascends the rules of ordinary love. To me, the homosexual ambiguity conveys power and - yes - sweetness to the emotional palette. And the visual work is stunning.