God and Satan war over earth; to settle things, they wager on the soul of Faust, a learned and prayerful alchemist. During a plague, Faust despairs and burns his books after failing to stop death; Satan sends Mephisto to tempt Faust, first with insight into treating the plague and then with a day’s return to youth. Mephisto is clever, timing the end of this 24 hours as Faust embraces the beautiful Duchess of Parma. Faust trades his soul for youth. Some time later, he’s bored, and demands on Easter Sunday that Mephisto take him home. Faust promptly sees and falls in love with the beautiful Gretchen, whose liaison with him brings her dishonor. Is there redemption? Who wins the wager? –IMDb
To this day German filmmaker F. W. Murnau remains one of the most influential directors of cinema. After studying art and literature history at the University of Heidelberg, he became a student of director Max Reinhardt until serving in World War I as a combat pilot. During a flight, he accidentally strayed into Switzerland and stayed there till the war’s end. He made his directorial debut in 1919 back in Germany; although he made several films over the next three years, most of them have been lost. Murnau first gained international renown with Nosferatu the Vampire in 1922. Unlike others, Murnau filmed this still chilling masterpiece on location. His next film, The Last Laugh (1924), utilized unique camera techniques that later became the basis for mise-en-scene. He continued making German films, notable for their pessimism and pervading sense of doom, until he moved to Hollywood in 1926 to work for Fox studios. His first American film, Sunrise: A Story of Two Humans (1927), is considered… read more
I dug the sets, camera work and Jannings' camp. The religious themes of the fable this was adapted from don't do much for me on a personal level but that never got in the way for me enjoy the film's merits.
Derriere Garde, Leina, Drew Boggemes, Domas, chanandre, CRW, Miguel Ferreira
Yves Montand plays the devil in a 1950s-made, 1920s-set version of Faust with beautiful sets worth going to hell for.
There is a terrific little movie poster exhibition on view right now at New York’s Museum of Modern Art, running in conjunction with the Film
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Above: Emotional distance is spatial distance in F.W. Murnau's The Haunted Castle (1921). Sad, isn't it, to see John Ford and Frank Borzage