A satirical look at life among artists in New York’s Lower East Side. —Turner Classic Movies
Solondz’s first color film with sync sound was the short “Schatt’s Last Shot” (1985). Solondz played a high schooler who wants to get into Stanford, but cannot because his sadistic gym teacher fails him. He also has no luck seducing the girl he desires. It was a student film, and is still screened at NYU, where Solondz made it.
Solondz’s first feature was Fear, Anxiety & Depression (1989), a piece about a writer (Solondz) writing a play and sending it to Samuel Beckett.
Solondz found great critical acclaim with his second feature, Welcome to the Dollhouse (1995), a film about the cruelty of junior high school, parents, adult figures, and suburban life. The film won awards at Sundance, Berlin, and countless other festivals for its cruel realism, bitter humor, and unflinching portrayal of adolescence.
His third feature effort, Happiness (1998), was a wildly edgy and provocative film. The film revolves around a group of people who are miserable in their conventional… read more
Here is a case where its legit for a talented filmmaker to not take their self so fucking seriously. Yes, I do love his other movies but Todd Solondz shows off his funny bone so well that I can't understand why he doesn't return to board comedy. Also, he does a great job as the poor man's Woody Allen to the point where I think he should have Woody Allen's career!