A Bolshevik army officer and Uzbek who has been nursed back to health by a young Uzbek woman to whom he is now married, gains responsibility for the local village in 1929. He is urged by comrades in Tashkent to have the local women drop their chadors and veils but he is also told that he should not force this on anyone. —IMDb
Ali Irgashaliyevich Khamraev (Russian: Али Иргашалиевич (Эргашевич) Хамраев; born Tashkent, 19 May 1937) is an Uzbek director who is best known in the former Soviet Union for his work in the 1970s.
Ali Khamrayev is a film director from the same generation with Andrey Tarkovsky, Sergey Paradzhanov, Otar Ioseliani. They all are prominent artists of the Soviet cinema of the so-called warming period [of the 1960s, known for liberal governmental policies that resulted in a spurt in the arts]. This generation manifested the values of the intellectual auteur cinema. Today, Ali Khamrayev continues to work in the area of grand concepts and universal values.
Ali Khamrayev was born May 19th of 1937. In 1961, he graduated from VGIK, the workshop of Gregory Roshal. In 1969, he was honored for outstanding achievements in the arts by the government of Uzbekistan. Ali Khamrayev’s film The Seventh Bullet was seen by 22.5 million viewers – an unheard of audience for Central Asian movies… read more
The staunch traditionalist and the communist idealogue - both equal targets in Khamrayev's scathing film.