Dawn Davenport (Divine) is a juvenile delinquent, always in trouble both at home and school. After an altercation with her parents on Christmas morning over a pair of cha-cha heels, Dawn runs away from home. She is raped by a mechanic named Earl (Divine) and soon gives birth to a baby, who she calls Taffy (Mink Stole). Living life as a petty thief, Dawn meets Gator (Michael Potter), a hairdresser. They marry, over the objection of Gator’s fag hag Aunt Ida (Edith Massey). Gator works at The Lipstick Beauty Saloon, run by Donna and Donald Dasher (Mary Vivian Pierce and David Lochary). They instantly see Dawn as their next big “discovery,” They have a twisted concept that crime is “beautiful” and want this eager gal to be their outlaw model. Thus begins a felonious spree that leads Dawn to a decisive day in court. —DVDverdict.com
Growing up in Baltimore in the 1950s, John Waters was not like other children; he was obsessed by violence and gore, both real and on the screen. With his weird counter-culture friends as his cast, he began making silent 8mm and 16mm films in the mid-‘60s; he screened these in rented Baltimore church halls to underground audiences drawn by word of mouth and street leafleting campaigns. As his filmmaking grew more polished and his subject matter more shocking, his audiences grew bigger, and his write-ups in the Baltimore papers more outraged. By the early 1970s he was making features, which he managed to get shown in midnight screenings in art cinemas by sheer perseverance. Success came when Pink Flamingos (1972) – a deliberate exercise in ultra-bad taste – took off in 1973, helped no doubt by lead actor Divine’s infamous dog-crap eating scene.
Waters continued to make low-budget shocking movies with his Dreamland repertory company until Hollywood crossover success came with Hairspray… read more