International con artist/thief Laure Ash helps pull off a diamond robbery in Cannes during the annual film festival. She double-crosses her partners-in-crime and makes off with the diamonds to Paris where she accidentally assumes the identity of a distraught woman who commits suicide and then leaves the country. Seven years later, Laure (now called Lily Watts) re-surfaces as the wife of the new American ambassador to France where a certain Nicolas Barto, a Spanish photographer, takes her picture thereby setting the stage for a motion of events as the evil Laure resorts to low, underhanded means to protect her former identity. —IMDb
Brian De Palma is one of the well-known directors who spear-headed the new movement in Hollywood during the 1970s. He is known for his many films that go from violent pictures, to Hitchcock-like thrillers.
Born on the 11th of September in 1940, De Palma was born in New Jersey in an American-Italian family. Originally entering university as a physics student, de Palma became attracted to films after seeing such classics as Citizen Kane (1941). Enrolling in Sarah Lawrence College, he found lasting influences from such varied teachers as Alfred Hitchcock and Andy Warhol.
At first, his films comprised of such black-and-white films as Bridge That Gap (1965). He then discovered a young actor whose fame would influence Hollywood forever. In 1968, de Palma made the comedic film Greetings (1968) starring Robert de Niro in his first ever credited film role. The two followed up immediately with the film The Wedding Party (1969) and Hi, Mom… read more
i remember watching this film back then in cinema..one of the greatest experience in my fuckin' life..intoxicating..stylish and briliant cinematography as usual from Mr. De Palma.
(Re)watched it for the first time in a while and enjoyed it as much as every other time. Very inventive and appeals to both the high brow...and the low. Sort of a guilty pleasure but all the more fun because of it.
More homage from De Palma, this time to Hitchcock and film noir in general, but it is just such an irresistible thriller that I can't help but have fun every time I watch it. This one continues to grow on me and reinforces the fact that De Palma has made some very good movies in the last decade, regardless of critical reception.
A kaleidoscopic sample of film music: impossible fantasies, lush atmospheres, epic operas, sophisticated seductions.
This is, without a doubt, one of Brian De Palma’s greatest achievements, an incredibly rich and playful movie which immeasurably rewards repeat viewings. Basically, you get out of it what you put in;… read review
Estoy seguro que el tiempo hará justicia con esta película, que si bien está lejos de ser una obra maestra, si es una de las mejores de Brian DePalma, especialmente si consideramos todas las películas… read review
the strongest argument against cynicism of popular culture. we are deafened by senseless, dark, violent crime thrillers. and sometimes we need to wake up to our own dreams.
“femme fatale” is… read review