First Case, Second Case is a documentary about a teacher who sends a group of pupils out of the classroom when one of them does not own up to talking behind the master’s back. Kiarostami showed this film to the Shah’s educational experts and filmed their opinions. Shooting was nearly complete when, on February 1, Ayatollah Khomeini arrived in Tehran from exile and 10 days later declared an Islamic republic. Kiarostami set about remaking the film, junking the commentaries and changing its structure. He decided he would make the film into a dramatised dilemma: First Case involved pupils refusing to name the guilty party; in Second Case one of the pupils names the culprit and is allowed to return to the classroom. All the new observers, including the new education minister, were filmed commenting on the two cases, many taking the film as a parable about the Shah’s secret police. First Case, Second Case was immediately awarded a prize at the Tehran Festival of Films for Children and Young Adults; shortly afterwards, though, the government banned it because its presumed message was deemed subversive and because some of the commentaries came from members of political parties (communist, democratic national front) which had been declared illegal. As a result, the film disappeared from view for decades. It was only shown at a Kiarostami retrospective in Turin in 2003.
Abbas Kiarostami was born in Tehran, Iran, in 1940. He graduated from university with a degree in fine arts before starting work as a graphic designer. He then joined the Center for Intellectual Development of Children and Young Adults, where he started a film section, and this started his career as a filmmaker at the age of 30. Since then he has made many movies and has become one of the most important figures in contemporary Iranian film. He is also a major figure in the arts world, and has had numerous gallery exhibitions of his photography, short films and poetry. He is an iconic figure for what he has done, and he has achieved it all by believing in the arts and the creativity of his mind. —World Cinema Foundation