msilenus
10Apr11
It was Jason Robards actually.
Anybody interested in this film should read "Conquest of the Useless." Really astounding prose by Herzog, from the jungle during this gruelling production.
Uncompromising and just astounding. Yes, yes, its sometimes meanders and shots linger a lot longer than they should but who gives a fuck, this film is cinema at its bravest.
this one is hard to classify, as herzog's films usually are, but it's an undoubtedly amazing feat> it's center piece with the boat on the jungle is in my opinion an unparalleled filmic event, that alone is more than enough reason to watch it> this has had me fascinated since i saw it as a child.
Another tale of men with impossible dreams in nature, Herzog's favorite theme, and of course making of the film was something impossible made possible too. By watching this I've realized how great Herzog really is, and I think he's one of my favorite film makers now. This is a masterpiece.
Well, I guess that won't be happening. According to IMDB: Director Werner Herzog destroyed all the footage of Jason Robards and Mick Jagger (Herzog has said that he never keeps the outtakes and unused footage of all of his films).
Saw the very interesting documentary on the making of this film, Burden Of Dreams. I was really surprised by the original footage shot before Klaus Kinsey was cast, the tone of which seemed quite different. I would be very interested to see the rest of it. I certainly understand some of the negative criticisms of Fitzcarraldo, but none of the negative aspects described got in the way of my enjoying the film.
Klaus Kinski remains one of the best madmen in modern cinema. My Best Fiend says it all. http://en.wikipedia.org/wiki/My_Best_Fiend
Holly hell! Klaus Kinski is obsessed and so am I. For some reason I love obsession in movies. It's one of those driving forces that I can believe and really get behind.
Maravillosa metáfora de la realización cinematográfica, desde que ví Fitzcarraldo he adoptado la frase "Hay que pasar el barco a través de la montaña" ante los problemas más difíciles que enfrento como realizador. Un verdadero triunfo del espiritu, la realidad de la filmación superó a la ficción y nutrió a la historia misma de manera que esta es una de las más grandes catársis del genio Herzog.