John owns the largest chain of five and ten cent stores in the country. He moves his family to New York from Kansas City and their life, though grand, is falling apart due to his constant working. Wife and mother Jenny is lonely. Son Avery hates his job. Daughter Jennifer is snubbed by classmate Muriel and her friends. At a charity bazaar, Jennifer meets Berry and sparks are evident. However, he is engaged to Muriel and Muriel will make sure that she, and only she, marries Berry. After the marriage, Berry still thinks of Jennifer as Jennifer thinks of Berry. Avery laments about the state of his family since they were happy in Kansas City. —IMDb
Robert Z. “Pop” Leonard was a highly successful contract director at MGM, to such extent that critical appreciation of his work is practically nonexistent or of a negative kind. Nevertheless, the transparency of Leonard’s work conceals a skilled and talented artisan of the highest order, and several of his films rate as classics and remain popular favorites decades after they were made. Born in Chicago, Leonard began as a stage actor, making his film debut in 1908 at the Selig Polyscope studios in Chicago; his directing career began in 1913 at Rex, a former independent then operating as a unit within Universal. Leonard’s early films were comedies, often starring Leonard himself as a “boob” or an ethnic Swedish caricature. From the time vaudeville star Mae Murray arrived in Hollywood in 1916, Leonard gradually became her principal director, he abandoned his own career as a movie actor by 1918, but did make unbilled cameo appearances in later films.
Murray’s headstrong behavior and… read more