The story begins in 1975 when 17-year-old Alistair Little, a member of the UVF murdered a 19-year-old Catholic, Jim Griffin, in Lurgan. He was arrested two weeks later, along with three others involved in the shooting, and convicted. Jim’s murder was witnessed by his 11-year-old brother, Joe Griffin.
Five Minutes of Heaven, directed by Oliver Hirschbiegel (Downfall) and written by Guy Hibbert (Omagh) is a fiction inspired by real people. Working closely with both men, screenwriter Guy Hibbert creates a unique and compelling film that moves from a powerful re-enactment of these tragic events to a fictional interpretation of what might happen should these two men ever come face to face. The film explores the impact of the legacy of violence of both men. —FiveMinutesofHeaven.ie
Oliver Hirschbiegel, born December 29, 1957, in Hamburg, went to sea as a scullion after finishing Waldorf school. On his return, he studied painting and graphic with Sigmar Polke at Hamburg’s Hochschule der Künste but soon turned more and more to the departments of photography, video, and film; did installation art and performances, and finally switched to film directing.
Hirschbiegel started his professional career as a filmmaker in the mid-1980s as a unit manager for the TV series “Losberg”. In 1986, he made his debut as a director with the TV movie “Das Go! Projekt”. Hirschbiegel also wrote the screenplay for the film. Five years later, he caused a stir with the cutting-edge TV project “Mörderische Entscheidung” (“Murderous Decisions”): The thriller tells the same story in two separate films from the perspective of two different persons. Viewers were able to choose their perspective depending on the situation by switching between the ARD and the ZDF TV channels as both films… read more
Liam Neeson is good but not doing anything we haven't seen him do dozens of times already. James Nesbitt, however, delivers a mesmerizing performance playing a man about to fall apart who's next choice and next action we're never certain of. Well worth watching.
An interesting film dealing with Northern Irish Catholic angst in the form of personal revenge, rather than national defense. Although it may be situated within a ethno-political conflict, for me this film was undoubtedly about how individuals are affected by the people who are under the influence of a herd. That is, fitting in - whether it's for popularity or ethnic pride.
A rediscovered interview, a new issue, a fresh round of lists of the best of 2011.
"As the bloody sectarian horror show of Northern Ireland in the 20th century has tapered off in the headlines, so has much of its currency