Noted for his tabloid-influenced storytelling style, breathless camera work, and extreme close-ups, Fuller was a pugnacious, tough-as-nails man whose movies reflect a uniquely personal vision; obsessed with themes of falsehood and deception, his films illuminated the cultural divisions at the heart of American society, depicting a grim, immoral world far removed from the placid surface typically on display in more mainstream fare. Celebrated as a genius by his fans, and denounced as a sensationalist by his detractors, Fuller was a deeply patriotic man quick to criticize his country’s flaws, as well as a raw, anarchic filmmaker capable of moments of inexpressible beauty; such contradictions fueled and ultimately defined both him and his body of work, which continues to exert tremendous influence over such prominent filmmakers as Martin Scorsese, Quentin Tarantino, and Jim Jarmusch. Samuel Michael Fuller was born August 12, 1912, in Worcester, MA, and raised in New York City; at the age… read more
Fuller comes into his own, perfecting his pulp-prose-poetry style from the almost religious procession of comrades abandoning the focal platoon to the harrowing minefield rescue, in which even snow-slick boots give the impression of sweating with fear. The men's occasional reveries are all they have, and they do little to offer comfort from the march of the Chinese and, worse, the endless cold.