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Synopsis

In February, 1945, one of the fiercest battles of the Pacific theater of World War II occurs on the tiny island of Iwo Jima. Thousands of Marines attack the stronghold maintained by thousands of Japanese, and the slaughter on both sides is horrific. Early in the battle, an American flag is raised atop the high point, Mount Suribachi, and a photograph of the raising becomes an American cause celebre. As a powerful inspiration to war-sick Americans, the photo becomes a symbol of the Allied cause. The three surviving flag raisers, Rene Gagnon, John Bradley, and Ira Hayes, are whisked back to civilization to help raise funds for the war effort. But the accolades for heroism heaped upon the three men are at odds with their own personal realizations that thousands of real heroes lie dead on Iwo Jima, and that their own contributions to the fight are only symbolic and not deserving of the singling out they are experiencing. Each of the three must come to terms with the honors, exploitation, and grief that they face simply for being in a photograph. –IMDb

Director

Original

Clint Eastwood

Perhaps the icon of macho movie stars, and a living legend, Clint Eastwood has become a standard in international cinema. Born on May 31, 1930 in San Francisco, the son of a steel worker, Eastwood was a college dropout from Los Angeles College, attempting a business related degree. He found work in such B-films as Tarantula (1955), and Francis in the Navy (1955) until he got his first breakthrough with the long-running TV series “Rawhide” (1959). As Rowdy Yates, he made the show his own and became a household name around the country.

But Eastwood found even bigger and better things with Per un pugno di dollari (1964) (“A Fistful of Dollars”), and Per qualche dollaro in più (1965) (“For a Few Dollars More”). But it was the second sequel to “A Fistful of Dollars” where he found one of his trademark roles: Il buono, il brutto, il cattivo. (1966) (“The Good, The Bad and The Ugly”). The movie was a big hit and he became an instant international star. Eastwood got some excellent roles… read more

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Federico Di Folco

11May13

Siamo distanti anni luce da Iwo Jima,ma è prodotto da Spielberg e questo fà intendere molte cose.Demagogico e piatto,non decolla mai; la sceneggiatura è confusionale e il montaggio stesso non aiuta a seguire bene il parallelismo dei due periodi storici.Sugli attori meglio tacere,l'indiano sembra una caricatura stucchevole.Uno dei peggiori Eastwood,che si riscatterà con il grandioso ritratto del lato giapponese.2*

Picture of Judicial Joe

Judicial Joe

29Apr12

I forgot how gray the photography is in this - too gray for me. I also forgot how good John Slattery is as the PR schmuck who doesn't know a damn thing about war.

Picture of Mike Thorn

Mike Thorn

25Jan12

A meticulously constructed war film that addresses the consequences of violence. More mature and challenging than Spielberg's Saving Private Ryan.

Lukasz Nowak likes this

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Jack Lehtonen

3Mar11

Eastwood's greatest accomplishment of the 2000s.

Lukasz Nowak and 2 others like this

Mike Thorn, Ben 94

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UNTITLED

By Todd Kushige​machi on July 12, 2011

For Clint Eastwood, less is more. Eastwood’s best films of the past decade work so well because of his understated direction and the poetry of his stories. Furthermore, strong leads anchor his features…  read review

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