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Synopsis

Irwin “Fletch” Fletcher, Los Angeles journalist, really lives for his profession. As Jane Doe, he publishes articles that have caused several heads to roll in the past. Now, Fletch is at it again: In disguise as a bum, he lives at the beach, researching drugs and their dealing. One day, Fletch is addressed by Alan Stanwyk, a rich man, who asks him, the bum, a favour. For the sum of $50,000, Fletch should kill poor cancer-ridden Mr. Stanwyk with a gun, so that his wife will get the insurance money. What the guy didn’t think of was Fletch’s real profession. Returning into normal life, Fletch instantly takes up research not only to find out that Mr. Stanwyk is healthy as life itself but he also runs into certain connections between drug dealing at the beach, Alan Stanwyk, his private jet, the police and a very expensive piece of Land in Utah. —IMDb

Director

Original

Michael Ritchie

Michael Brunswick Ritchie (November 28, 1938 – April 16, 2001) was an American film director.

Ritchie was born in Waukesha, Wisconsin, the son of Patricia (née Graney) and Benbow Ferguson Ritchie. His family later moved to Berkeley, California, where his father was a professor of experimental psychology at the University of California at Berkeley1 and his mother was the art and music librarian for the city.

He attended Berkeley High School before becoming interested in film, and was accepted at Harvard University following high school.

Ritchie attracted attention in his senior year at Harvard in 1960 by directing the original production of the Arthur Kopit play, Oh Dad, Poor Dad, Mamma’s Hung You in the Closet and I’m Feelin’ So Sad in Cambridge, Massachusetts.

His work on Kopit’s play led to a job offer from Robert Saudek, the producer of the Omnibus television series. Ritchie also directed episodes of Profiles in Courage and… read more

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runfromfire

12Apr12

"Don't talk to me like that assface. I don't work for you yet." Without a doubt Chevy Chase's best movie.

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