Coleen Fitzgibbon’s 1974 FM/TRCS (USA), recently preserved by filmmaker Sandra Gibson, is a masterful work of abstraction that explores the textures of the medium and dissolution of imagery to a woman’s undressing. —tiff.net
Fitzgibbon was active as an experimental film and video artist under the pseudonym “Colen Fitzgibbon” between the years 1973-1980. A student of Owen Land (aka “George Landow”) and Stan Brakhage during her years as a film/video student at Art Institute of Chicago (1971-73), she later attended the Whitney Museum of American Art’s Independent Study Program under Ron Clark (1973-74), studying with international artists such as Michael Snow, Yvonne Rainer, Vito Acconci, Donald Judd, and Dennis Oppenheim. Between the years 1973-1976 Fitzgibbon made some of her most rigorous experimental work to date on 16mm and super 8 film, screening at numerous international film festivals and museums, including EXPRMNTL 5 at Knokke-Heist in Belgium, Institute of Contemporary Art in London, Anthology Film Archives, Collective For Living Cinema, and Millennium Film Workshop in New York. —http://www.coolidge.org