Footnote is the story of a great rivalry between a father and son. Both eccentric professors, they have dedicated their lives to their work. The father seems a stubborn purist who fears the establishment. His son, Uriel, appears to strive on accolades, endlessly seeking recognition.
But one day, the tables turn. The two men switch places when the father learns he is to be awarded the most valuable honour one can receive. His desperate need for recognition is betrayed, his vanity exposed. Uriel is torn between pride and envy. Will he sabotage his father’s glory?
Footnote is the story of insane competition, the admiration and envy for a role model, bringing father and son to a final, bitter confrontation. –Cannes Film Festival
The film might have been a little contrived at times (maybe a little too aware that it would be up for awards), and I simply lost interest about halfway in. I did like the critique of notions of mastery and masculinity, and its questioning of family loyalties, but I was on a 14-hour flight somewhere and can't really remember much else to say. Haha.
A “brilliant academic comedy” or a “sour, rather unpleasant affair”?
A look at the posters for the films in the main slate of this year’s New York Film Festival.
Updated through 5/23. The Jury of the 64th Cannes Film Festival, presided over by Robert De Niro, and further comprised of Martina Gusman
The end of the world will be beautiful, or so says the Polish poster for Lars von Trier’s Melancholia, quite fittingly on the eve of
There are two Professor Shkolniks, a father and a son. They are both scholars of the Talmud. The father worked hard his whole life on research that, for brutally ironic reasons, never paid off. The… read review