Alice Cespi (Florinda Bolkan) begins to see her life fall apart due to strange memories from childhood when she was forced to watch a film called “Footprints on the Moon” involving an unethical experiment in leaving astronauts stranded on the moon’s surface. Alice has terrible dreams and begins to become addicted to tranquilizers. The drugs and her deteriorating mental condition cause her to miss work and she is eventually fired, whereupon she travels to a dilapidated former tourist area called Garma after receiving a mysterious postcard. There, she runs into a girl named Paula Burton (Nicoletta Elmi), who tells her that she looks exactly like another woman, Nicole, currently staying at the faded resort. Alice then encounters a series of strange people and circumstances, all leading her closer to unlocking the possibly deadly mystery. –Wikipedia
This one of the best films I've ever seen! Does somebody know in which area this film was shot (a fictional place Garma is shown in the film)?
Diddy, This film was shot partly in İstanbul, Turkey. The first time Florinda Bolkan came to Garma in a steamboat station is Ortakoy in İstanbul. And she walks around Sultanahmet and historical mosques. Also the building in the Garma photo in the movie is a building in Sultanahmet used for land registry.
Also from here you can see them; http://giallofordummies.blogspot.com/2010/06/le-orme-aka-footprints-on-moon-1975.html#more
This isn't really a giallo even though it is often lumped in with them. It's actually much more complex and has a wonderful performance from Florinda Bolkan. The film doesn't make a lot of sense, but I enjoyed the weird atmosphere.
The only giallo-style movie to be influenced by both DEATH IN VENICE and SOLARIS.
A proper review is forthcoming in the service of this most recondite, most perturbing celluloidal peregrination. This is science fiction par excellence, where astral projections of the mind are either indeterminate phantasms or the electromagnetic impedimenta of emotion. What troubles is not what is known, but what sort of topography persists unseen like so much dark matter. Hic sunt dracones...
Two Italian metaphysical thrillers blur reality and fantasy and waft around the edges of the giallo style.