If A Fistful of Dollars began the Eastwood legend, then its sequel, For a Few Dollars More, cemented it. Clint Eastwood makes his return as “The Man With No Name,” this time teaming up with a rival bounty hunter (Lee Van Cleef as “The Man In Black”) to take down a ruthless outlaw and his band of renegades. This gritty, “hard hitting” (Variety) western masterpiece would be followed one year later by The Good, The Bad and The Ugly to complete director Sergio Leone’s brilliant Spaghetti Western Trilogy. –MGM
Sergio Leone was virtually born into the cinema – he was the son of Roberto Roberti (aka Vincenzo Leone), one of Italy’s cinema pioneers, and actress Bice Valerian. Leone entered films in his late teens, working as an assistant director to both Italian directors and American directors working in Italy (usually making Biblical and Roman epics, much in vogue at the time). Towards the end of the 1950s he started writing screenplays, and began directing after taking over Gli ultimi giorni di Pompei (1959) in mid-shoot after its original director fell ill. His first solo feature, Il colosso di Rodi (1961), was a routine Roman epic, but his second feature, A Fistful of Dollars (1964), a remake of Akira Kurosawa’s Yojimbo (1961), caused a revolution. Although it wasn’t the first spaghetti Western, it was far and away the most successful, and shot former TV cowboy Clint Eastwood to stardom (Leone wanted Henry Fonda or Charles Bronson but couldn’t afford them). The… read more
Leone after the success of 'fistful' worked on a much bigger canvas on this picture and discovered his voice. The use of extreme closeup and perspective shot, the majestic use of music and the comradeship of men. Casting of Lee Van Cleef was most inspired and reinvented his career the way the previous film did for Eastwood. Many classic sequences especially the final shoot out. Highly influential.
Brilliant stuff! I could watch Van Cleef and Eastwood grate cheese and be enthralled.
Or, Leone, Morricone, Van Cleef, and Eastwood taking off into the stratosphere. So much great stuff here. "This train will stop at Tucumcari." The organ bursting into the soundtrack during a showdown. The last 10 minutes are perfect, the beginning of the end for the Western.
"Disco and Dantean inferno, Pablo Larraín's Tony Manero portrays a dead-eyed survivor who is 'stayin' alive' during the bloody years of
This time Eastwood is named Monco. He’s not the only man with no name though really. I find it interesting that the same handful of actors appear throughout this trilogy, but except for Eastwood who… read review