Form Phases IV is the last, closed and harmonic part of Robert Breer’s Form Phases series, focusing on abstract from in movement. Angular and round paper cut-outs mill in the background while changing shapes appear in the front before eventually dissolving into flickering vertical colour bars: everything is in flux. In this explicit reference to Hans Richter’s 1921 film Rhythmus 21, Breer underscores his interest in demystifying pictorial space. —gb agency
Avant-garde multimedia artist Robert Breer was born in 1926 in Detroit, Michigan. Breer studied painting at Stanford University and after moving to Paris in 1949, he began to explore hand-drawn animation. Using stop-motion techniques and 4 × 6 index cards as his signature medium, Breer pioneered the revived interest in experimental animation and attracted international acclaim. His work, which incorporates both geometric abstractions and mundane images from daily life, explores color, form, rhythm, and motion with sharp wit and humor. Breer’s career includes solo exhibitions at the Centre Georges Pompidou, Musée d’art moderne national in Paris; The Museum of Modern Art, New York; and the Whitney Museum of American Art, New York. His work was included in the 2004/2005 Carnegie International, Pittsburgh. Breer lives and works in Tucson, Arizona. —thedissolve.net