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Foxy Brown

United States

1974

91 Min
Color
1.85:1
English
  • Currently 3.4/5 Stars.
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DIR Jack Hill

PROD Buzz Feitshans

SCR Jack Hill

DP Brick Marquard

CAST Pam Grier, Peter Brown, Terry Carter, Kathryn Loder, Harry Holcombe, Sid Haig

ED Chuck McClelland

MUSIC Willie Hutch

Synopsis

Pam Grier is the angel of vigilante justice out to stop a major heroin shipment from reaching her neighborhood and to avenge her boyfriend’s murder. Her arsenal is largely personal. On the occasion of PFA’s Blaxploitation’s Back! series in 1995, Chuck Stephens wrote in the Bay Guardian, “A fiery fellatrix…Grier’s generosity in going down on her lovers is as consistent as her discomforting propensity for castrating her corrupt captors and romantic deceivers at the melodramas’ climax. As handy with a shotgun as she is with a silly straw, Grier exudes fleshy, abundant oblivion, and she gives so much better than she gets.” —BAM/PFA

Director

Original

Jack Hill

Jack Hill grew up around movies – his father was a designer for Disney Studios and Warner Brothers. He went to the University of California to study film, where he was a classmate of Francis Ford Coppola – they worked together on student productions and later both apprenticed with Roger Corman, working on The Terror (1963). While Coppola went on to Oscardom, Jack continued with B-flicks. He didn’t make a lot of films, and while all were low budget they all (except The Jezebels (1975)) made money, and his early ‘blaxploitaton’ films Coffy (1973) and Foxy Brown (1974) were hits. Soon after The Jezebels (1975) he stopped making movies so he and his wife Elke could pursue meditation and he could write novels. Today his films are hailed as cult classics, thanks primarily to Quentin Tarantino, who saw Hill’s work as it made its way to video. With retrospectives and a re-release of The Jezebels (1975), his career seems to be reviving. —IMDb… read more

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Displaying 4 of 7 wall posts.
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Matt Burgess

21May12

A far more campier and colourful affair than its predecessor, Foxy Brown is a more immediate and genuinely entertaining blaxploitation with kick ass action sequences, kitschy racist villains and ridiculous outfits but lacks Coffy's harsh, emotional punch

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Man6

10Mar12

DAT ENDING. Rest of the film is average but the ending is intense.

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Sunday

5Oct11

Drags along, but is populated with enough hilarious moments to make the trip worth it in the end.

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Matt

5May11

'Coffy' can't hold a candle to FB!

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