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Freedom

Laisvė

France, Portugal, Lithuania

2000

96 Min
Color
1.66:1
Berber, French
  • Currently 3.8/5 Stars.
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DIR Sharunas Bartas

PROD Sharunas Bartas, Paulo Branco

SCR Sharunas Bartas

DP Sharunas Bartas, Rimvydas Leipus

CAST Valentinas Masalskis, Fatima Ennaflaoui, Axel Neumann, Corey Large

ED Mingilié Murmulaitiné

PROD DES Jurij Grigorovic

MUSIC Kipras Mašanauskas

Venice (Competition): 'CinemAvvenire' Award, Toronto (Contemporary World Cinema), Rotterdam (On the Waterfront), São Paulo, Stockholm, London

Synopsis

In an attempt to load drugs onto a ship for transport overseas, two men barely avoid being caught by the police but end up stranded on the coast, with no alternatives and no hope of getting away.

Director

Original

Sharunas Bartas

Šarūnas BARTAS (1964-) – Lithuanian film director, one of the most outstanding representatives of cinematographers. His contacts with cinema began in 1985 with the TV serial “Sixteen-years-olds” (dir. Raimondas Banionis), where Bartas played one of the main roles. He is a graduate of the Moscow Film School (VGIK). He made his directorial debut with his diploma film, the short documentary “Tofolaria” and mediocre-length film (which called spectators’ attention) “For the Remembrance of Last Day” (1989), where the real personages are “acting themselves” according to the principles of feature film. The author further “purified” the specific cinema language in the full-length film “Three Days” (1991), which was awarded the prize of oicumene committee at Berlin Film Festival (for the problems, the importance of the theme, the profundity) in 1992, and FIPRESCI Prize for the originality of the style, the significance of the theme, the beauty of pictures. This is a story (almost without plot… read more

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Displaying 4 of 5 wall posts.
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lina maj

31Mar13

I have never seen so many shades of blue in one movie!

Bruno Leal likes this

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Lights in the Dusk

19Oct12

With Bartas, I always come back to that word: "desolate." His camera lingers over these barren landscapes, the jagged rocks, the dunes and the ruined buildings, and places them in contrast with the ragged, bitter faces of his central characters. The physiognomy, as always, becoming a reflection of where they are, emotionally and physically; the hopelessness of a situation. These are characters in search of direction. As an experience the film is entirely crushing, but there is one moment of true overwhelming beauty, which will stay with me forever...

killingtime and Johnde like this

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Coheed 2.5

16Jun12

It is one thing to be open to the viewer, but Freedom is vague to an extreme level for a mood film where the atmosphere is the centre piece. It seems juvenile to complain that a film is just wide eyed people standing around like statues rather than actually be people with something driving them, but this is sadly the case, beautiful to look at but without any driving force for the viewer to care about.

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Our roundup of essays and articles on this film.

Shuhei Morita's Freedom Review

By Twitchfilm.com on May 17, 2011
Freedom is part of the Freedom Project, a big promotional endeavor started by Nissin Cup Noodles. Maybe the prospect of a series commissioned by a noodle company doesn’t sound too appealing, but if names
read on Twitchfilm.com

Shuhei Morita's Freedom Review

By Twitchfilm.net on July 17, 2010
Freedom is part of the Freedom Project, a big promotional endeavor started by Nissin Cup Noodles. Maybe the prospect of a series commissioned by a noodle company doesn’t sound too appealing, but if names
read on Twitchfilm.net

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2012 MUBI World Cup Film Discussion: Freedom

4 posts by 2 people 11 months ago