Portrait of a factory porter, a fanatic of strict discipline, who extends his power even into his personal life as he tries to control everybody and everything in the belief that ‘rules are more important than people…That means that when a man doesn’t obey the rules, ’ he says, ‘you could say he’s a goner…Children also have to conform to the rules and adults who live on this earth, for whom this beautiful world has been created. I reckon you’ve got to have capital punishment…Simply hang him [the culprit]. Publicly. Tens, hundreds of people would see it.’ —musicolog.com
A towering figure of Eastern European cinema, Krzysztof Kieslowski was born in Warsaw, Poland, on June 27, 1941. His formative years, spent under the specters of Hitler and Stalin, were nomadic; his father suffered from tuberculosis, and the family traveled from one sanatorium to another. At the age of 16, Kieslowski entered Fireman’s Training College. His stay was short-lived, instilling a lifelong loathing of uniforms and disciplines. To avoid military service he returned to school, later attending the Warsaw College for Theatre Technicians. In 1965, after several previous rejections, he was finally accepted into the famed Lodz Film School — the same institution which launched the careers of Roman Polanski, Andrzej Wadja, Jerzy Skolimowski, and Krzysztof Zanussi — and made his first short feature, Tramwaj (The Tram), the following year.
The communist-controlled Poland of the 1960s and 1970s was a nation of great political unrest. Consequently, film emerged as a crucial means… read more