James Reece is an ambitious aide to the U.S. Ambassador in Paris, doing little jobs for the CIA and hoping to get into black ops. On the night he and his girlfriend, Caroline, become engaged, he’s told to pick up Charlie Wax at Orly. Charlie is an unorthodox government employee – large, bald and bearded, foul-mouthed and eccentric. Charlie immediately takes James on a wild ride of murder and mayhem, through ethnic enclaves. As bodies pile up, the purpose remains opaque to James. Caroline, unhappy that James has been out of touch for a day, tells him to bring Charlie for dinner. Charlie can be charming – where will it lead? Does the chess-playing James have what it takes? –IMDb
Pierre Morel (born 12 May 1964) is a French cinematographer and film director.
After spending his formative years in cinema school, Pierre Morel debuted in 2000 as camera operator with the first Richard Berry’s film L’Art (délicat) de la séduction.
The next year, he began a career as cinematographer, working with such directors as Louis Leterrier, Corey Yuen, Nancy Meyers, Alek Keshishian, Luc Besson and Phillip Atwell. At the same time, he directed his first film District 13 in 2004, followed by Taken in 2008 and From Paris with Love, in 2010.
According to an online article, Morel has taken over the directing duties for the upcoming Paramount remake of Frank Herbert’s Dune. Morel will replace Peter Berg who left the film in October 2009. He has since left the project. He was in talk to direct the film adaption of the Hasbro game Ouija.
Controversy
Some critics have the opinion that Morel has a racist agenda for his negative portrayal of Albanians… read more
Totally fun, totally unrealistic script. Travolta is OVER THE TOP in my favorite performance since Pulp Fiction. Get out the popcorn, people!!!
Dialogue and plot have little to do with the wiring of this thrill ride: Travolta's two-dimensional bad-ass anti-hero ignites the show, setting off a constant barrage of action-embracive set pieces that propel it into cinematic spectacle. A well-timed, unsuspecting plot twist spins the story into overdrive. From Paris is not fresh, and it's not particularly close to the best of its genre, but its fun nonetheless.
Sure, the idea that directors are always authors is a big ol' fallacy. What's true, though, is that, in the traditional system of commercial
Winter wears on, and again, most of the more interesting openings of the week are local, beginning, almost inevitably, New York. Michael
After 2008's Taken, Pierre Morel's 2010 film From Paris with Love is building a nice little niche for this Besson protégé of carting over
Who cares if it wasn’t that original or subtle, it wasn’t supposed to be. It’s so well made and fun that you can’t escape the great characters and relentless violence. You just don’t see buddy cop… read review