Two segments. The first one arranges six stories from Cesare Pavese’s “Dialoghi con Leucò”, taken from classical mythology. The second segment is taken from Pavese’s novel “La luna e i falò”: after WWII the emigrant ‘The Bastard’ comes back to his village in the Langhe (northern Italy) to find that everyone he knew has died and the war has deeply changed relationships between people. —IMDb

Director

Danièle Huillet

Danièle Huillet was born on May 1, 1936 in France. After she had just finished high school in the 1950s, she met Jean-Marie Straube and both their professional and private lives have been closely intertwined ever since.
In 1958 they moved to Germany, and their 1965 production Not Reconciled (Nicht versöhnt, based on a novel by Heinrich Böll) caused a scandal at the Berlinale. This film was followed by adaptations of works by Corneille (Othon, 1969) and Bertolt Brecht (History Lessons or Geschichtsunterricht, 1972) and Arnold Schönberg’s opera Moses und Aron (1974/5), each in the somewhat unpopular manner of austere exercises. A great deal of attention was aroused by the Kafka adaptation Class Relations (Klassenverhältnisse, 1983, based on the unfinished Amerika/Der Verschollene). These films were followed by others dealing with literary greats such as Hölderlin and Sophocles. Since the 1970s Danièle Huillet and Jean… read more

Jean-Marie Straub

Filmmaker Jean-Marie Straub and Daniele Huillet, his wife and co-director, have become leading figures in New German cinema. Their films are not for passive viewers seeking light entertainment; films such as Not Reconciled or Only Violence Helps Where Violence Rules (1965) are intellectually demanding, and yet are among the most haunting films of German cinema. Prior to teaming up with Huillet, the French born Straub worked as an assistant to French directors such as Abel Gance, Jean Renoir, and Robert Bresson. He met and teamed up with Huillet in 1954. To avoid the draft, he fled to Munich, Germany in 1958 where they got involved with radical theater groups. By the early sixties he and his wife had become a prominent directors. They made their debut with the short Machorka-Muff in 1963. In 1968, their long-time friend Fassbinder appeared in The Bridegroom, the Comedienne and the Pimp. Straub and Huillet’s most famous film is Chronicle of Anna Magdalena Bach (1968). By the late ’60s… read more

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Cedric

30Jan13

In a way. Both films adapt the mythological short stories from Pavese’s “Dialoghi con Leucò” that are pretty much independent from one another (hence the many short films Straub made afterwards using the source novel), even though some characters are recurring. “These Encounters of Theirs” was based on the five or so final stories, while “From the Clouds to the Resistance” doesn’t follow a particular sequence, and also adapts parts of another Pavese novel, “The Moon and the Bonfires.”