Five young men threw themselves with heart and soul into the work force. They have different approaches and different life styles. Kiet is the hardworking investment broker. He is so busy making money that he has ignored his seretary’s love. Chunk is a postman believing in fung shui. Shy Li is an apprenticce in his family jewelry shop. Way wants to go to university. Ming is the most unconventional of the five. Working in a Japanese restaurant, he leads a darefree life which dismays his girl Yoko.
The five start a laundry shop which soon fold. Next they try something new – an open air market. The course of love and career never runs smoothly. Kiet and Li lose their girl friends. Ming, now patched up with Yoko, is changing his life style…… —sensasian.com
Clara Law (羅卓瑤) (born 29 May 1957 in Macau) is a Hong Kong film director, now having relocated to Australia before the 1997 Hong Kong handover.
She has produced several films focusing on the themes of migration and the identity crisis of Hong Kong people. Her most remarkable works include Farewell China (1990) and Autumn Moon (1992).
After she moved to Australia, she continued her film career and made several films including Floating Life (1996) and The Goddess of 1967 (2000), both have won numerous awards in Australia and film festivals around the world. Her latest film is Letters to Ali (2004), which deals with Australia’s refugee situation.
She often collaborates with her husband, Eddie Fong Ling-Ching, who usually is her screenwriter. —Wikipedia