A feverish collision of avant-garde aesthetics and grind-house shocks (not to mention a direct influence on Stanley Kubrick’s A Clockwork Orange), Funeral Parade of Roses takes us on an electrifying journey into the nether-regions of the late-’60s Tokyo underworld. In Toshio Matsumoto’s controversial debut feature, seemingly nothing is taboo: neither the incorporation of visual flourishes straight from the worlds of contemporary graphic-design, painting, comic-books, and animation; nor the unflinching depiction of nudity, sex, drug-use, and public-toilets. But of all the “transgressions” here on display, perhaps one in particular stands out the most: the film’s groundbreaking and unapologetic portrayal of Japanese gay subculture.
Cross-dressing club-kid Eddie (played by real-life transvestite entertainer extraordinaire Peter, famed for his role as Kyoami the Fool in Akira Kurosawa’s Ran) vies with a rival drag-queen (Osamu Ogasawara) for the favours of drug-dealing cabaret-manager Gonda (Yoshio Tsuchiya, himself a Kurosawa player who appeared in such films as Seven Samurai, Throne of Blood, and High and Low). Passions escalate and blood begins to flow — before all tensions are released in a jolting climax that prefigures by nearly thirty years Tsai Ming-liang’s similarly scandalous The River.
With its mixture of purely narrative sequences and documentary footage, Funeral Parade of Roses comes to us from a moment when cinema set itself to test, and even eradicate, the boundaries between fiction and reality, desire and experience; consequently, the film shares a kinship with such other 1969 works as Masahiro Shinoda’s Double Suicide and Ingmar Bergman’s A Passion [The Passion of Anna]. Yet Matsumoto achieves a zig-zag modulation between pathos and hilarity that makes his picture utterly unique: a filmic howl in the face of social, moral, and artistic convention. —Eureka Entertainment
Toshio Matsumoto (born March 25, 1932) is a Japanese film director and video artist. He was born in Nagoya, Aichi, Japan and graduated from Tokyo University in 1955.
His first short was Ginrin, which he made in 1955, however his most famous film is Funeral Parade of Roses (Bara no soretsu). Funeral Parade of Roses influenced Stanley Kubrick’s film A Clockwork Orange heavily. The film was a retelling of Oedipus Rex, featuring a transsexual (portrayed by Peter) trying to move up in the world of the Japanese gay bars.
Matsumoto has published many books of photography and is currently a professor and Dean of Arts at the Kyoto University of Art and Design. He was also the President of the Japan Society of Image Arts and Sciences. —Wikipedia
Spoiler-free overview: Gorgeous and creative cinematography. Can be interpreted as a film that touches on many different issues and concepts surrounding homosexuality, homophobia, and perceptions of sexuality. This film uses a fantastic array of narrative styles, i.e. (mock) interviews, realistic scenes of intimacy, terror, and social gatherings, slapstick shorts, and footage of a film being made within a film.
A selection of late 60s graphic masterpieces created for the Art Theater Guild in Japan.