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Gainsbourg: A Heroic Life

Gainsbourg (Vie héroïque)

France

2010

130 Min
Color, Black and White
2.35:1
French, English, Russian
  • Currently 3.3/5 Stars.
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DIR Joann Sfar

PROD Marc Du Pontavice, Didier Lupfer

SCR Joann Sfar

DP Guillaume Schiffman

CAST Éric Elmosnino, Lucy Gordon, Laetitia Casta, Doug Jones, Anna Mouglalis, Sara Forestier, Răzvan Vasilescu, Yolande Moreau, Deborah Grall, Kacey Mottet Klein, Dinara Drukarova, Philippe Katerine, Claude Chabrol, Joann Sfar, Franc Bruneau, Mylène Jampanoï, Ophélia Kolb, François Morel

ED Maryline Monthieux

PROD DES Christian Marti

MUSIC Olivier Daviaud

ANIM Joann Sfar

San Francisco (New Directors), São Paulo (International Perspective), Mar del Plata (Art in Cinema), Helsinki (Avajaiselokuva)

Synopsis

Best known in the United States for “Je t’aime . . . moi non plus,” his racy duet with then-lover Jane Birkin, singer/songwriter Serge Gainsbourg packed a lot of life into 62 years. As much provocateur as artist, he delighted in defying expectations, so it is only appropriate that this offbeat biopic should do the same. In keeping with a subject who rode the waves of the pop charts, comic book artist–turned-filmmaker Joann Sfar takes a greatest-hits approach to Gainsbourg’s life, concentrating on his early years as a Jewish child in Nazi-occupied France, his transition from painter to jazz musician to pop superstar, his storied romances with the likes of Birkin and Brigitte Bardot, his many scandals and the behind-the-scenes stories of some of his most famous songs, including the Bardot hits “Bonnie and Clyde” and “Comic Strip.” In spot-on casting, Kacey Mottet Klein contributes a vivacious turn as Lucien, the precocious, irrepressible boy who would grow up to be Serge Gainsbourg, while Eric Elmosnino is a dead ringer in looks and mannerisms for the adult Serge. Sfar’s own comic-book roots are evident in some of the drama’s quirkier elements, particularly “La Gueule” (or “ugly face”), a grotesque alter ego—part imaginary friend and all id—who accompanies Gainsbourg through life. This imaginative, exuberant and affectionate take on the man, his music and his times is a treasure trove for his fans and a witty introduction to anyone unfamiliar with his legend. —Pam Grady

Wall

Displaying 4 of 33 wall posts.
Picture of luxlisbons

luxlisbons

4May13

An interesting effort, but quite lengthy.

Picture of Dinar Amallia

Dinar Amallia

5Jan13

Je t'aime, moi non plus.

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Rugpjute

27Nov12

Too long too boring.

Picture of Shiro

Shiro

10Sep12

Serge ♥

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Articles

Our roundup of essays and articles on this film.
W184

Gainsbourgs

By David Hudson on August 29, 2011

As Gainsbourg: A Heroic Life opens at New York’s Film Forum, Cinefamily screens Gainsbourg and His Girls in Los Angeles.

read article
W184

"The New Year," Russellmania, "Gainsbourg," "Get Low," More

By David Hudson on July 30, 2010

Robert Duvall and Bill Murray, Kevin Kline and Paul Dano, Steve Carell and Paul Rudd. None of them are in Brett Haley's The New Year, but they

read article

GAINSBOURG (VIE HÉROÏQUE): Interview With Joann Sfar

By Twitchfilm.com on December 16, 2011
I first caught Joann Sfar’s feature debut Gainsbourg (Vie héroïque) (2010) at the 53rd edition of the San Francisco International Film Festival, where SFFCC colleague Pam Grady wrote in her program notes
read on Twitchfilm.com

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Reviews

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Gainsbourg: A Heroic Life (Joann Sfar, 2010)

By J. Nyhuis on September 6, 2012

Visually sumptuous but ideologically empty-headed, Joann Sfar’s adaptation of his own graphic novel doesn’t offer any real insights into the motivations of the famous and controversial French musician…  read review

Gainsbourg Vie Heroïque

By analeor​ne on February 7, 2012

Pouco se sabia sobre o filme quando finalmente foi anunciada a data de estreia, quase um ano depois do previsto inicialmente; o trailer foi pouco divulgado mesmo em terras do Sena, o realizador é estreante…  read review

Film review: Gainsbourg: A Heroic Life

By Miasma on October 13, 2011

Gainsbourg

By McKittr​ick on August 21, 2010

Gainsbourg’, in bio-pic terms, is maybe somewhat of a missed opportunity – despite its bio-friendly length, not much about the man is delved into too deeply, as incidents and character are skimmed…  read review

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