Bruce Lee plays Billy Lo, a Hong Kong-based movie actor, who is a box office draw. His girlfriend, Ann Morris is a singer who is also climbing to the top. Now it seems the syndicate wants Billy and Ann to join their “management firm”, but Billy knows that they will be treated like property, so he refuses and tells her to do the same. They try to “encourage” him to join but he still refuses. When an attempt on his life is made, he fakes his death and alters his appearance, and decides to go after the syndicate; taking them out one at a time. —IMDb
A hard-working director throughout his long and varied career, Robert Clouse is known best for his two most successful films: Der Mann mit der Todeskralle (1973) and Game of Death (1978. Clouse was a director who worked mainly in the visuals of cinema, owing to the fact that he was completely deaf, he employed assistant directors who could verify that actors had delivered their lines correctly. After being hired by Warner Bros. and Golden Harvest to direct Der Mann mit der Todeskralle (1973), Clouse was escalated into the realm of profitable directors. But, unlike others in this category, doors in Hollywood were not entirely open to him. Clouse was, in 1974, hired to direct Freie Fahrt ins Jenseits (1974) for Warner Brothers Pictures. The film proved to be a moderate success, but was seen more as a vehicle for Der Mann mit der Todeskralle (1973) protégé ‘Jim Kelly’. In 1978, Clouse returned to Hong Kong where he was hired by Golden Harvest’s Raymond Chow to direct a comeback… read more
Il vademecum per come rovinare 36 minuti di girato originale di Lee, prima della sua morte. Di certo questo film non era ciò che quest'ultimo aveva in testa e lo si nota negli ultimi 20 minuti di film (scene originali girate da Lee). Squallido il tentativo di utilizzare controfigure e sagome di cartone (non scherzo) per far credere allo spettatore di avere il rimpianto attore cinese in scena. Peccato.
The fact that Clouse finished the film with a (bad) body double and used footage of Bruce Lee's actual dead body is among the most tasteless decisions in film production history (with the exception of the audacity of making a sequel). However, even in a mangled form, it is still one of the best examples of how Lee wished to utilize his films to push across his philosophies regarding martial arts technique.