Set in a future-world where humans can control other humans in mass-scale, multi-player online gaming environments, a star player (Butler) from a game called “Slayers” looks to regain his independence while taking down the game’s mastermind (Hall). —IMDb
Mark Neveldine (born 11 May 1973) is an American film director, film producer, screenwriter and camera operator. He is best known for frequently collaborating with Brian Taylor as Neveldine/Taylor.
Neveldine was born in Watertown, New York to Tom Neveldine and Carolyn Dowd Fitzpatrick. He attended Hobart and William Smith Colleges in Geneva, New York, where he studied drama and psychology. After graduating, he moved to Manhattan, where he began his career as an actor of nearly thirty productions. He moved to Los Angeles and attended the The Los Angeles Film School, where he met Brian Taylor. He was subsequently transitioned into film work, becoming a cinematographer of music videos, documentaries and a television pilot.
Neveldine, along with Brian Taylor, were set to direct the film Jonah Hex, but dropped out of the project due to “creative differences”. However, they are still credited for the screenplay.Neveldine directed Ghost Rider: Spirit of Vengeance, the sequel… read more
Brian Taylor is an American film director, cinematographer, camera operator, producer, and screenwriter. He is best known for frequently collaborating with Mark Neveldine as Neveldine/Taylor.
Taylor attended the Los Angeles Film School in Hollywood, California and began his career as a cinematographer, working on a series on independent films and low-budget shorts. In the early 2000s, Taylor united with Mark Neveldine, both becoming known for their engineering skills as cinematographers and camera operators. They invented “The Roller Dolly,” and immediately submitted it for a patent. The hand-built device allows the duo to use rods to carry cameras and rollerblade simultaneously.
On February 2012, Taylor has made a seven-figure deal with Sony Pictures to write and direct a film adaptation of the Twisted Metal video game series. It will be his first feature without fellow partner Mark Neveldine. —Wikipedia
Concepts traversed by the likes of Phillip K. Dick, even Cronenberg (eXistenZ) through their 20th century dystopian portents and retro-futurism, find themselves re-glossed in Neveldine/Taylor’s New Millennium evening forecasts and postmodern chaos and euphoria. It’s crass, bombastic, hyperkinetic, but resonant to an extent, and with such a wild aesthetic as theirs here interesting in the least, often arresting - even if I remain ambivalent towards any other greater pretensions.
Watching Gamer and The Dark Knight back-to-back today really made me appreciate just how dynamic Neveldine/Taylor's work is. Nolan's staid, faux-Mann act, while occasionally exciting, on the whole pales in comparison with the formally daring and experimental kineticism on display here.
So much going on here. A love letter to exploitation in film while also contributing to the genre itself. Walks the line between parody/seriously statement and its just fun, fun, fun. Made me seek out Crank 2 (which was slightly lacking). GAMER is Neveldine/Taylor's finest film for me. Word.
Neveldine and Taylor don’t even have the good taste to seem reserved
Neveldine and Taylor don’t even have the good taste to seem reserved
Now while I enjoyed their other films like CRANK and it’s sequel. They felt more tongue in cheek and campy. So over the top you never took them seriously. They were funny in a vile way. This film just… read review