Vincent is a high-level French government minister who loses his job and with it everything else that has defined him: his status, luxury apartment and fashion-conscious wife. Rather than mope, Vincent chooses to relish his newfound freedom. Luckily his mama is rich, but unfortunately a community of black immigrant squatters has overtaken the Paris apartment she offers him. Unfazed, Vincent settles into his new life and finds pleasure in the company of eccentric old friends, former mistresses, music and wine. — SFIFF 50
Otar Iosseliani was born in Tbilisi, Republic of Georgia, where he studied at the State Conservatory and graduated in 1952 with a diploma in composition, conducting and piano. In 1953 he went to Moscow to study at the faculty of mathematics, but in two years he quit and entered the State Film Institute (VGIK) where his teachers were Alexander Dovzhenko and Mikhail Chiaureli. While still a student, he began working at the Gruziafilm studios in Tbilisi, first as an assistant director and then as an editor of documentaries. In 1958 he directed his first short film Akvarel. In 1961 he graduated from VGIK with a diploma in film direction. When his medium-length film Aprili (1961) was denied theatrical distribution, Iosseliani abandoned filmmaking and in 1963-1965 worked first as a sailor on a fishing boat and then at the Rustavi metallurgical factory. Aprili was finally released only in 1972. In 1966 he directed his first feature film Giorgobistve that… read more