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Picture of Coheed 2.0

Coheed 2.0

3Mar12

Within such a minimalist production style – extended single shots of dialogue occasionally linked by a simple camera track, sparse use of sets – hides so much emotional power. That the actors don’t even look directly into each other’s eyes just add to the sad tone of lost love for the main female character and her attempts to keep her head held high regardless. It is an utterly beautiful achievement.

ORAS

15Jan12

A film like I've never seen before from Dreyer, of spoken words & portrayal paintings, a piece that depicts the ethnicity of Black & White Cinema, ''A film to average mid-class woman''-Dreyer

Picture of Hisham Teymour

Hisham Teymour

4Jan12

Moments immortalized in stubborn pursuit of the impossible: dark gives way to bursts of memory drenched in diffuse light; the exchange of a cigarette stops time; an undressing lover glorified as towering shadow; the self (frozen in mirrors) joins the art on the walls; a swell of music (mentioned diagetically) seems utterly non-diagetic. "A fire about to be extinguished" already rekindling in our imagination. Cinema.

Picture of Francisco R.

Francisco R.

26Aug11

The best female portrait Dreyer made in his career, because he draws feelings not only out of the script and his characters but deep within his own self as well. His everlasting concern for female suffering has never played a greater role than the one in Gertrud.

Picture of John Sandwich
Picture of Benjamin

Benjamin

11Mar11

I really liked it. Felt like I shouldn't. It wanted me to think that it is boring, but it is certainly not. Heavy on style, but that emotion and truth is there baby.

Picture of Pierluigi Puccini

Pierluigi Puccini

6Mar11

morose, but the characteristic cadence and sensitivity of Dreyer's mise en scene can always captivate the heart.

Picture of Cremildo

Cremildo

4Feb11

Perfectly framed and blocked.

Picture of Franklinton Underground Cinema

Franklinton Underground Cinema

28Jan11

A film of great maturity.

Picture of Aflwydd

Aflwydd

26Jan11

Describing a film as ridiculously dull isn't what I would describe as an intelligent observation. I don't doubt your intelligence but it would be nice to give reasons why you find a film dull so that creative discussion can arise. Your comment is far more detrimental to creative discussion than anything Mike wrote.

Picture of Tobin.

Tobin.

13Dec10

A brilliant final 15 minutes can't make up for the rest of the film, which is ridiculously dull.

InsertOzuReferencehere

14Nov10

This is Dreyer’s "most Dreyer like" film. Its beautiful and still observations of a woman’s lonley search for an unobtainable love proves again why Dreyer is seen as one of the greatest filmmakers of the 20th century.

Picture of Zachary George Najarian-Najafi

Zachary George Najarian-Najafi

28Sep10

I know this is cinematic heresy, but this movie IS boring. Watching it was akin to being impaled with nails. Still there were moments of Dreyer's genius on display here, but this is no The Passion of Joan of Arc or Day of Wrath.

Picture of Aflwydd

Aflwydd

16Aug10

PRETENTIOUS ELITIST FILM-SNOB

Picture of Mike Spence

Mike Spence

16Aug10

"Wow really boring. I guess you would have to be extremely sick and bed-ridden to want to sit through this" Or intelligent.

Picture of Steve

Steve

16Aug10

Wow really boring. I guess you would have to be extremely sick and bed-ridden to want to sit through this

Picture of Jacob W.

Jacob W.

13Aug10

One of the great studies of light, utterly at one with the celluloid...

Picture of susuwatari

susuwatari

18Jul10

Reflective cinema: discomforting in its elongation, bold in form, denying the easy pleasures of emotional involvement, provoking a disengagement, a disciplining that piques the intellect. (See Susan Sontag's inspiring essay 'Spiritual style in the films of Robert Bresson' for further appreciation of this concept.) This film reminds me of how much I have to learn about cinema and why I adore it.

Picture of J. Pomp

J. Pomp

30Apr10

Three years before the Beatles release "All You Need is Love," Dreyer tells us that, indeed, love is all you need. The film may be a bit excessively sentimental, but if anyone can get away with that, it's certainly Dreyer. It only made me believe even more strongly that his films are among the most beautiful things in life

Andhika Eka Buana

30Apr10

2 hours of a bunch of peoples trying to finds out the real meaning of Love. Boring.

Picture of rajiv ibrahim

rajiv ibrahim

14Mar10

very dense philosophically and quiet intense emotionally, one of the best, if not the best, film about love, ever !

Picture of Daniel S.

Daniel S.

25Jan10

Without a doubt, a masterpiece. Nordic loves à la Tchékhov. People are weeping but inside. Ulcers by the dozen. Indispensable.

Picture of Anthony

Anthony

11Dec09

After a certain point w/r/t watching movies, I can’t really activate that happy analytical chunk of my brain which so often lights up at even the suggestion of work to be done. Gertrud is phenomenal and complete and beautifully flooring; writing or reading a review on it would distract from the sacred time one could spend watching and re watching it. “Go and see” - is really all I know.

Picture of Robert W Peabody III

Robert W Peabody III

13Nov09

Gertrud (1964) DIR Carl Th. Dreyer SCR Carl Th. Dreyer 119 Min A woman’s love and a man’s work are mortal enemies amor omnia

Picture of Andre

Andre

28Dec08

One of the most daring last films ever made by any director. Like the character whose motto is "amor omnia", this movie is "cinema omnia". Thank you Dreyer.

Picture of Philip Tatler

Philip Tatler

2Dec08

Sux that this was Dreyer's swan song. The play is dull, dated, and laughably earnest in its anti-sentimentalism. Lighting, as always, is amazing. But not enough to keep me from making to-do lists in my head while the wrought lovers chattered endlessly.