In a minor town the morose manager is primarily responsible for the bad atmosphere of a restaurant. But central for the plot are three persons: a male waiter who is never named (here called W), the female waiter Anna, and “the count”, a self-invented nickname by a man cleaning plates. The count is skilled in making others do what he wants. Half a dozen of the personnel assist in a poorly planned and failed attempt to liberate a man whom the police move from one arrest to another. The event involves stealing a motorcycle and threatening policemen with a gun. Anna strongly tries to make contact with W. Finally it turns out that she need his help to break her sexual relation to the count, a relation that from her part is not motivated by positive feelings. W rejects her attempts. And then Anna has suddenly gone. She has got a pleasant job in another town. And then W’s feelings awaken. He follows her. During one or two days really great and reciprocal love and happiness emerge. On the following day the count comes to Anna. He has got a lot of money by a robbery and wants to resume their relation. When she refuses he first throws away all money (they blow away by the wind). And then he shoots her. —IMDb
Roy Andersson (born 31 March 1943) is a Swedish film director, best known for his films A Swedish Love Story and Songs from the Second Floor. More than any other, Songs from the Second Floor succeeded in cementing his personal style — a style characterized by long takes, absurdist comedy, stiff caricaturing of Swedish culture and Felliniesque grotesque. He has spent much of his professional life working on advertisement spots, directing over 400 commercials and two short films, but only directing four feature-length films in three decades. His latest film is You, the Living from 2007. —Wikipedia
There aren't many careers in the history of cinema quite like Roy Andersson's. Fresh out of film school, he had a major success with En kärlekshistoria
