Part antinuclear parable, part crazed sci-fi flick, Godzilla set a standard for outsized monster flicks. When the big guy awakens from a 1,000-year catnap, Tokyo is his target. Raymond Burr — as American scientist Steve Martin — was inserted in extra scenes to make the movie marketable to stateside audiences. Studio executives knew they had a moneymaking monster and soon created countless sequels.
Ishirō Honda (本多 猪四郎 Honda Ishirō), sometimes miscredited in foreign releases as “Inoshiro Honda”, (May 7, 1911 in Yamagata Prefecture – February 28, 1993) was a Japanese film director. His early film career included working as an assistant under the famed director, Akira Kurosawa.
Alongside his film duties, he was drafted into the Imperial Japanese Army during World War II in China and was a prisoner there when the war ended.
He is probably best known for his tokusatsu films including several entries in the Godzilla series. He directed the original Godzilla along with King Kong vs. Godzilla (1962), Mothra vs. Godzilla (1964), All Monsters Attack (1969) and many others until 1975. He also directed such tokusatsu films such as Rodan and Mothra. His last feature film was Terror of Mechagodzilla (1975).
The following years were spent directing various sci-fi TV shows. The superhero shows Return of Ultraman, Mirrorman and Zone Fighter were also his. In addition, he… read more
Burr couldn't look more disaffected. The voice over is even worse. Morse didn't even seem to try to match Honda's style. But damn, I loved watching this.
I suppose I should be outraged at what a mockery this "Americanized" film makes of Honda's original masterpiece, but my goodness "King of the Monsters" is just so hilariously bad that I can't help but enjoy myself when watching it. Raymond Burr's performance is awful - he seems slightly annoyed by the proceedings rather than terrified of the monster - and the editing is sloppy. It's perfect accidental comedy.
Veteran low-budget director and editor Terry O. Morse (“Fog Island” & “British Intelligence”) and journeyman scribe Al C. Ward are recruited by producers Richard Kay and Harry Rybnick to bring… read review