The Kansas-born architect Bruce Goff (1904–1982) received no formal architectural training. Many of his sixty-two buildings depicted in Goff in the Desert are tucked away in Kansas, Texas, and Missouri, while others are in Chicago and California. (He briefly had offices in Berkeley.) Particularly after 1940, his buildings are fanciful and imaginative, both ordinary and extraordinary. Using brick, wood, glass, and stone, Goff explores patterns—windows are variously circular, triangular, diamond-shaped; roofs and buildings too take surprising and radical shapes. A building has a metal dinosaur soaring above it, a church resembles a silo, a house has distinctive windows calling to mind a vertical row of eyes. See for yourself how Goff—and Emigholz—design and experience space. —Kathy Geritz
http://www.bampfa.berkeley.edu/film/FN16872
Born in 1948 near Bremen in Germany, Heinz Emigholz trained first as a draftsman before studying philosophy and literature in Hamburg. He began filmmaking in 1968 and has worked since 1973 as a filmmaker, artist, writer and producer in Germany and the USA. In 1974 he started his encyclopaedic drawing series The Basis of Make-Up. He looks back on numerous exhibitions, retrospectives, lectures and publications. In 1984 he started his film series Photography and beyond. He has held a professorship in Experimental Filmmaking at the Universität der Künste Berlin since 1993, and co-founded the Institute for Time-based Media and the program Art and Media, there. In 2003 Filmgalerie 451 started an edition of all his films on DVD. Publications a.o.: Krieg der Augen, Kreuz der Sinne (War of Eyes, Cross of Senses), Seit Freud gesagt hat, der Künstler heile seine Neurose selbst, heilen die Künstler ihre Neurosen selbst (Since Freud Said That the… read more