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Goodbye First Love

Un amour de jeunesse

France, Germany

2011

108 Min
Color
1.85:1
French, German, Danish
  • Currently 3.4/5 Stars.
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DIR Mia Hansen-Løve

PROD David Thion, Gerhard Meixner, Roman Paul

SCR Mia Hansen-Løve

DP Stéphane Fontaine

CAST Lola Créton, Sebastian Urzendowsky, Magne-Håvard Brekke, Valérie Bonneton, Serge Renko, Özay Fecht, Olivier Yglesias, Greg Akcelrod

ED Marion Monnier

PROD DES Mathieu Menut, Charlotte de Cadeville

SOUND Vincent Vatoux, Olivier Goinard

Locarno (International Competition): Special Mention, Toronto (Contemporary World Cinema), New York, Telluride, Chicago (Competition), Rotterdam (Spectrum), !F Istanbul (Hit Films), CPH PIX (3X3), BAFICI (La ley del deseo)

Synopsis

In her exceptional third feature, writer-director Mia Hansen-Løve (The Father of My Children) shows once again her talent for capturing the agony and the ecstasy of adolescence. Besotted teenagers Sullivan (Sebastian Urzendowsky) and Camille (Lola Créton) struggle, as all couples must, with a painful push-pull dynamic, heightened by the young man’s decision to leave Paris and travel through South America. Over the course of eight years, we watch Camille, initially devastated by her boyfriend’s departure, emerge with new passions, intellectual and otherwise. Touchingly illuminating the indelible imprint that first romance leaves, Hansen-Løve’s film also explores the hard-won satisfaction of leaving the past behind. –NYFF

Director

Original

Mia Hansen-Løve

Cinema came into Mia Hansen-Løve’s life when she was eighteen, as Olivier Assayas made her start as an actress in Fin août, début septembre (1998). Two years later, he gave her the part of “Aline” in his Les destinées sentimentales (2000). Their artistic collaboration was coupled by a union in real life, Mia and Olivier becoming life companions. In 2001, Mia Hansen-Løve began studying at the municipal Conservatory of Dramatic Arts in Paris’ 10th district but she dropped our after two years to contribute instead to the famous film magazine “Les Cahiers du Cinéma”, where Olivier Assayas also wrote. In 2001, she tried her hand at directing and, as of the first day of shooting, discovered that this WAS what she wanted to do. The result was Après mûre réflexion (2004). Since then, although aged only twenty-eight, she has already made two more films, Tout est pardonné (2007) and Le père de mes enfants (2009), both acclaimed by the critics, both showing consistent thematic and stylistic unity… read more

Wall

Displaying 4 of 20 wall posts.
Picture of killingtime

killingtime

21May13

Dialog sakarin bikin bulu kuduk merinding ;))

Picture of tiagovitoria

tiagovitoria

5Feb13

Young people not knowing what love is. They grow. They still don't know what love is. They'll continue to grow. Probably they'll never know what love is.

samantha.hs and teresavontrier like this

Picture of Celia

Celia

11Jan13

so realistic it hurts

Picture of arlinda

arlinda

5Dec12

Languidly delicious!

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Articles

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Notebook Reviews: Mia Hansen-Løve’s "Goodbye First Love"

By Ben Sachs on April 21, 2012

On the philosophy of Mia Hansen-Løve and the her 2011 feature.

read article
W184

NYFF 2011. Mia Hansen-Løve's "Goodbye First Love"

By David Hudson on October 14, 2011

“Lola Créton will be the next pouting-faced star of French cinema.”

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Movie Poster of the Week: The Posters of the 49th New York Film Festival

By Adrian Curry on September 30, 2011

A look at the posters for the films in the main slate of this year’s New York Film Festival.

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Locarno 2011. Locarno Spreads the Wealth

By Robert Koehler on August 13, 2011

Locarno wraps up its 64th edition with awards that spread the wealth across the International Competition and the Cinema of the Present.

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Lists

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Reviews

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the water sustains me without even trying

By Artemis on June 6, 2012

When one is young, summer lasts forever. It is a restless and carefree cat-like creature, stretching and coiling lazily in the tall grass, infused with a Dionysian love of youthful abandon. Mia Hansen…  read review

Lola Creton

By remaind​er on March 27, 2012

O que é bom permite suspender a descrença e aceitar o que, não sendo mau, não é Lola Créton.

- O uso da (boa) música obedece a um esquema demasiado rígido, e tem uma função essencialmente decorativa…  read review

The First Cut is the Deepest

By Theolin​i on July 25, 2011

Dans son troisième film, Mia Hansen-Løve (au nom prédestiné) décrit un amour absolu. Une absolue passion qui perdure par-delà des ellipses élégantes esquissant la jeunesse de Camille (Lola Créton…  read review

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