Edmund Goulding (20 March 1891 – 24 December 1959) was a British film writer and director. Goulding is best remembered for directing cultured dramas and such as Grand Hotel (1932) with Greta Garbo and Joan Crawford, Dark Victory (1939) with Bette Davis, and The Razor’s Edge (1946) with Gene Tierney and Tyrone Power. He also directed the classic film noir Nightmare Alley (1947) with Tyrone Power and Joan Blondell, and the action drama The Dawn Patrol. He was also a successful songwriter, composer, and producer.
Before moving to films, Goulding was an actor, playwright and director on the London stage.
Interviewed about his Goulding biography Edmund Goulding’s Dark Victory (2009), film historian Matthew Kennedy stated:
He not only directed many types of films, but he took on multiple functions on each set. Though he didn’t usually take credit, he co-wrote many scripts, composed incidental music, produced, even consulted on makeup, costumes, and hair styling. His… read more
Nobody cares about Greta Garbo when there's Joan Crawford on the scene, shining in the spotlight with that stunning look of hers. Anyway, regarding the movie itself, it was quite disappointing. The narrative is really well written and the mise en scène is conducted with special detail and accuracy, but, at the end, I wasn't really satisfied with the whole development of the plot, way too hurried and shaky.
O primeiro "grande hotel" do cinema, digamos, tem o som em seu apogeu na Hollywood dourada dos 30's - e a Grande Depressão mordendo firme nos calcanhares. Pencas de estrelas, com Joan Crowford novinha e já mostrando que o tempo de Garbo, mesmo linda, era outro: ela quis ficar sozinha em Grand Hotel! Personagens à beira da caricatura, assistidos por uma fotografia ainda expressionista, fazem do filme uma peça rara.
John Barrymore and Joan Crawford...all their usual scenery-chewing and mugging toned down considerably. Neither were ever so beautiful as they are in this film. Conversely, the usually statuesque Garbo seems to have had a few scotch & sodas. This movie never grows stale....every viewing feels like the first.