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Synopsis

Florence Marr is the Greenberg family’s personal assistant. Her day is filled with fulfilling other people’s wishes. Florence’s own modest existence is in marked contrast to the busy lives led by the Greenbergs in their elegant villa in Hollywood Hills. Florence lives in a tiny studio apartment and, from time to time, performs as a hopeful singer at open mike evenings.

When her boss Phillip Greenberg and his family go away on a long trip abroad Florence finds herself with time on her hands. As usual she keeps an eye on the Greenberg’s house, takes care of their dog, Mahler … and now also Phillip Greenberg’s brother, Roger, who has been asked to house-sit.

Roger is fortyish, intelligent, witty and sharp-tongued – and, like Florence, a bit of a sad character. He has been working in New York as a carpenter after his dreams of a career in music in Los Angeles came to nought. Now he professes to do ‘nothing at all’. A meeting with a former band member Ivan and his ex-girlfriend Beth is a depressing experience: both of their lives have moved on while Roger’s life appears to have stood still. Old friends, he surmises, aren’t necessarily the best.

Roger finds himself stranded in Hollywood Hills. Unable to drive, he is dependent on Florence to chauffeur him around. The young woman finds his vulnerability attractive and, before long, something that began as a favour to her employer turns into a charmingly eccentric and surprising attachment between two unattached people. —Berlinale

Director

Original

Noah Baumbach

Baumbach made his writing and directing debut at the age of 26 with Kicking and Screaming (1995), a comedy about four young men who graduate from college and refuse to move on with their lives. The film starred Josh Hamilton, Chris Eigeman, and Carlos Jacott and premiered in 1995 at the New York Film Festival. Baumbach was chosen as one of Newsweek ’s “Ten New Faces of 1996”.

In 1997 he wrote and directed Mr. Jealousy, a film about a young writer so jealous about his girlfriend that he sneaks into the group therapy sessions of her ex-boyfriend to discover what kind of relationship they had. He then co-wrote (under the name Jesse Carter) and directed (under the name Ernie Fusco) the New York-set comedy of manners Highball. He co-wrote The Life Aquatic with Steve Zissou (2004) with Wes Anderson.

His 2005 film The Squid and the Whale was a semi-autobiographical comedy-drama about his childhood in Brooklyn and the effect… read more

Wall

Displaying 4 of 82 wall posts.
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Zachary W

12May13

Looking back, it's hardly surprising that Baumbach and Gerwig have become a couple in the wake of this collaboration; his camera regards her with great love and affection from the very first shot. Central to this of course is Harris Savides' subtly vibrant cinematography. This quiet approach dovetails nicely with the film's central relationship and, ultimately, Baumbach's unexpectedly humanist portrait of an asshole.

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Steven

5Feb13

Roger Greenberg: A shrink said to me once that I have trouble living in the present, so I linger on the past because I felt like I never really lived it in the first place, you know?

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Matthew Hunter

14Dec12

I didn't find this film had any narrative really and i hardly laughed watching it

Picture of Gamz Marr

Gamz Marr

16Nov12

brilliant

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Fans

Displaying 5 of 435 fans.

Articles

Our roundup of essays and articles on this film.
W184

Savides and the Generous Image

By Carson Lund on October 20, 2012

A look at the work of cinematographer Harris Savides.

read article
W184

Harris Savides 1957 - 2012

By Notebook on October 11, 2012

One of the great cinematographers has left us. Savides worked with Van Sant, James Gray, Fincher, Noah Baumbach, Sophia Coppola, and more.

read article
W184

Now in Theaters: "Greenberg" (Noah Baumbach, USA)

By Ignatiy Vishnevetsky on March 20, 2010

Yes, the scene where one of the characters in Greenberg gets an abortion is unhysterical. And, yeah, the friendship between the men played

read article
W184

Now in Theaters: "Greenberg" (Noah Baumbach, USA)

By Ignatiy Vishnevetsky on March 20, 2010

Yes, the scene where one of the characters in Greenberg gets an abortion is unhysterical. And, yeah, the friendship between the men played

read article
Blank

"Greenberg," "Runaways," "Dragon Tattoo," "Vincere" and More

By David Hudson on March 19, 2010

"Sad, funny, and acutely self-conscious, Noah Baumbach's Greenberg is unafraid to project a downbeat worldview or feature an impossible

read article
W184

Spirit Awards, Cineaste, Film Comment

By David Hudson on March 6, 2010

It's a stretch, and probably pointless, but maybe we can draw a few connections from the 25th Spirit Awards to the new issues of Cineaste

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W184

Berlinale. Noah Baumbach's "Greenberg" Review + Roundup

By David Hudson on February 14, 2010

Strip the slapstick and the rom-com conventions from Ben Stiller's onscreen persona, and of what's left, what would be the ratio of dark

read article

GREENBERG review

By Twitchfilm.com on May 17, 2011
The title role in Noah Baumbach’s “Greenberg” is an actor’s dream. Roger Greenberg is the kind of character who can’t drive, but spends significant amounts of time criticizing everyone else’s driving
read on Twitchfilm.com

GREENBERG review

By Twitchfilm.net on June 29, 2010
The title role in Noah Baumbach’s “Greenberg” is an actor’s dream. Roger Greenberg is the kind of character who can’t drive, but spends significant amounts of time criticizing everyone else’s driving
read on Twitchfilm.net

Lists

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Reviews

Displaying 4 of 7

I can see what they tried to do, but I don't think this worked at all

By Henrik Schunk on May 24, 2012

Greenberg is one of those movies that sheepishly celebrates awkwardness but with a more serious undertone and suggestions of a mental illness than similar films. What starts out to be a goof patrol…  read review

Please don't follow me

By 5 o´clock coffee on February 26, 2011

If you haven’t seen Sofia Coppola’s Somewhere yet, you probably have seen the trailer. As “I’ll Try Anything Once” fits perfectly to the film, the same goes to “Please Don’t Follow Me” and Greenberg…  read review

Mi favorita del 2010

By Nelson Núñez on January 14, 2011

Me atrevería a decir que Greenberg es, probablemente, mi película favorita del 2010. Creo que maneja bien el tono entre drama y comedia sin estridencias. Ben Stiller me sorprendió por bordar un papel…  read review

Greenberg: Omega, not Alpha

By Hunter Duesing on January 12, 2011

Noah Baumbach’s work outside…  read review

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