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Film Still

Guy and Madeline on a Park Bench

United States

2009

82 Min
Black and White
1.85:1
English
  • Currently 3.5/5 Stars.
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DIR Damien Chazelle

EXEC J. Mark Inman, Arleen McGlade

PROD Jasmine McGlade, Damien Chazelle

SCR Damien Chazelle

CAST Desiree Garcia, Sandha Khin, Jason Palmer, Frank Garvin, Andre Hayward, Alma Prelec

ED Damien Chazelle, W.A.W. Parker

MUSIC Justin Hurwitz

SOUND Geof Thurber

Synopsis

Writer/director Damien Chazelle combines the cinematic sensibilities of Cassavetes and Godard in a gritty, 16mm, MGM-style musical. Backed by an alternately rollicking and melancholy score by Justin Hurwitz, Guy and Madeline on a Park Bench tracks a pair of young lovers after they meet by chance in a Boston park and bond over a passion for old-timey music. But like his constantly searching camera, Chazelle doesn’t linger too long in any one place in the story. Soon Guy (Jason Palmer) and Madeline (Desiree Garcia) are separated and searching for new romance on city streets and in smoke-filled jazz clubs. Guy has an electrifying chance encounter with the lovely Elena (Sandha Khin), and Madeline entertains new suitors along with her own dreams of escaping to New York, but love may ultimately lead them back to one another.

The song-and-dance numbers in this youthful and original take on the musical come as a natural overflow of the lovelorn characters’ emotions, allowing shy, doe-eyed Madeline to express what she can’t always say in plain talk. Guy, meanwhile, lets his trumpet (yes, that’s really pro trumpeter Palmer playing) speak for his heart, proving once again that artistic talent is exponentially related to sex appeal. —Tribeca Film Festivall

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Matt Richards

12Jan12

About as independent as it gets. Black & white, musical, arty, mummblecore meets Goddard. Tap dancing and sublime, subtle performances. The camera work is perfectly matched to the action. Fresh. 4 stars

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Matt Kilgore

31Dec11

You never hear anyone blasting John Coltrane or... some Charlie Parker

Picture of Kyle Lewis

Kyle Lewis

26May11

A nice Cinema-Verite style and 1 really well choreographed music sequence make it one of the more enjoyable indies in a while.

Vahid Mortazavi

25May11

Delicious discovery of this weekend: If you wanna keep your faith in "true" independent American cinema, in miles away from all those fruitless indie realistic exercises or any other one in Miramax camp, don't miss Damien Chazelle's film. Reminding spontaneity and playfulness of 60s experiences of New Wave, with touch of young John Cassavetes (Shadows) and all its nostalgic musical references, this tiny great film needs to be seen and discussed more.

Ehsan Khoshbakht likes this

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