Writer/director Damien Chazelle combines the cinematic sensibilities of Cassavetes and Godard in a gritty, 16mm, MGM-style musical. Backed by an alternately rollicking and melancholy score by Justin Hurwitz, Guy and Madeline on a Park Bench tracks a pair of young lovers after they meet by chance in a Boston park and bond over a passion for old-timey music. But like his constantly searching camera, Chazelle doesn’t linger too long in any one place in the story. Soon Guy (Jason Palmer) and Madeline (Desiree Garcia) are separated and searching for new romance on city streets and in smoke-filled jazz clubs. Guy has an electrifying chance encounter with the lovely Elena (Sandha Khin), and Madeline entertains new suitors along with her own dreams of escaping to New York, but love may ultimately lead them back to one another.
The song-and-dance numbers in this youthful and original take on the musical come as a natural overflow of the lovelorn characters’ emotions, allowing shy, doe-eyed Madeline to express what she can’t always say in plain talk. Guy, meanwhile, lets his trumpet (yes, that’s really pro trumpeter Palmer playing) speak for his heart, proving once again that artistic talent is exponentially related to sex appeal. —Tribeca Film Festivall
I'm probably of a minority who would've enjoyed this played as straight realism. The sensibilities brought to the fore are very oil and water, and the film's non-realism influences are sloppily executed and phony.
About as independent as it gets. Black & white, musical, arty, mummblecore meets Goddard. Tap dancing and sublime, subtle performances. The camera work is perfectly matched to the action. Fresh. 4 stars
A look at live-sung musical numbers, past and present.
"No sort of motion picture is more stylized, utopian, or fun to theorize than the musical," writes the Voice's J Hoberman. "As an exercise
For the second year in a row, the Babylon theater in Berlin is presenting a series of American independent films, 22 this time around, ranging
Like Aleksandr Sokurov's The Sun (see yesterday's entry), John Woo's Red Cliff opens in New York today before traveling on to other US cities
This is a black and white art film. Its excoriating slow and at times hard to follow. Some characters look similar, you can’t tell where they come from or where they fit into the story chronologically… read review