Hands Across The Table

United States

1935

80 Min

Black and White

1.37:1

English

Currently 3.7/5 Stars.
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SCR Norman Krasna, Vincent Lawrence, Herbert Fields

CAST Carole Lombard, Fred MacMurray, Ralph Bellamy, Astrid Allwyn, Ruth Donnelly, William Demarest

After nearly a decade of nominal “leading lady” roles, Carole Lombard landed her first genuine starring vehicle with Hands Across the Table. Reasoning that the way to a man’s heart is through his cuticles, Regi Allen (Carole Lombard) takes a job as a manicurist at a fancy barbershop, unabashedly admitting that she hopes to use this position to snag a rich husband. Sure enough, Regi’s charms prove irresistable to Allen Macklyn (Ralph Bellamy) a wealthy and charming invalid, who knows that the girl is a golddigger but doesn’t care. The other man in Regi’s life is Theodore “Ted” Drew III (Fred MacMurray), who though born into a wealthy family is stone broke, and on the verge of marrying a rich debutante (Astrid Allwyn) to replenish his lost fortune. Hoping to briefly escape this fate and his other financial problems, Theodore hides out in Regi’s apartment. It is, of course, a platonic relationship: Having been burned in the past, Regi doesn’t want to get romantically entangled with a pauper, while Ted is already promised to someone else. But, as is often the case in 1930s comedies, things don’t quite turn out the way that either Regi or Ted expect. Full of delightful, unexpected touches, Hands Across the Table proved to be a major boost for Carole Lombard’s career, and didn’t exactly do any harm to up-and-coming Fred MacMurray either. ~ Hal Erickson, All Movie Guide

Director

Mitchell Leisen

Mitchell Leisen (b. October 6, 1898, Menominee, Michigan–d. October 28, 1972, Los Angeles) was an American director, art director, and costume designer.

Film career

He entered the film industry in the 1920s, beginning in the art and costume departments. He directed his first film in 1933 with Cradle Song and became known for his keen sense of aesthetics in the glossy Hollywood melodramas and screwball comedies he turned out.

His best known films include the Alberto Casella adaptation Death Takes a Holiday and Murder at the Vanities, a musical mystery story (both 1934), as well as Midnight (1939) and Hold Back the Dawn (1941), both scripted by Billy Wilder. Easy Living (1937), written by Preston Sturges and starring Jean Arthur, was another hit for the director, who also directed Remember the Night (1940), the last film written by Sturges before he started directing his scripts as well. The films Lady in the Dark (1944), To Each His Own (1946), and No Man of Her… read more

Mitchell Leisen (b. October 6, 1898, Menominee, Michigan–d. October 28, 1972, Los Angeles) was an American director, art director, and costume designer.

Film career

He entered the film industry in the 1920s, beginning in the art and costume departments. He directed his first film in 1933 with Cradle Song and became known for his keen sense of aesthetics in the glossy Hollywood melodramas and screwball comedies he turned out.

His best known films include the Alberto Casella adaptation Death Takes a Holiday and Murder at the Vanities, a musical mystery story (both 1934), as well as Midnight (1939) and Hold Back the Dawn (1941), both scripted by Billy Wilder. Easy Living (1937), written by Preston Sturges and starring Jean Arthur, was another hit for the director, who also directed Remember the Night (1940), the last film written by Sturges before he started directing his scripts as well. The films Lady in the Dark (1944), To Each His Own (1946), and No Man of Her Own (1950) were later successes. Also Charles Brackett’s comedy The Mating Season (1951) starring Gene Tierney, Miriam Hopkins and Thelma Ritter was an updated version of Leisen’s earlier screwball comedies of the 1930s, and was also his last big movie success.

When his film career ended, Leisen directed episodes of The Twilight Zone, Thriller, Shirley Temple’s Storybook and The Girl from U.N.C.L.E.. He also bought a nightclub.

Personal life

Though married, Leisen was reported to be gay or bisexual. According to Carolyn Roos, Leisen’s long time business manager’s daughter, he had a very long relationship with dancer/actor/choreographer Billy Daniel up until the 1950s (Daniel died in 1962). Leisen along with Daniel and dancer/actor Mary Parker formed Hollywood Presents Inc. as a means of promoting both Daniel and Parker off-screen. Leisen died of heart disease in 1972, aged 74. His grave is located in Chapel of the Pines Crematory.

Awards

He garnered his sole Academy Award nomination in 1930, for Art Direction, for Cecil B. DeMille’s Dynamite. Hold Back the Dawn (1941) was nominated for the Academy Award for Best Picture; while it received five other nominations as well, it wasn’t nominated for Best Directing. —Wikipedia

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