An ensemble cast telling 10 stories with intertwining characters. One story is about a father and son who are dating the same woman. Another features a woman who long ago gave her baby up for adoption but is now being blackmailed by a documentary filmmaker who claims to know the now-grown child’s whereabouts. —IMDb
A screenwriter turned director, Don Roos made his celebrated directorial debut with the 1998 The Opposite of Sex, a black comedy that provided hilarious and politically incorrect insights on the nature of love and sex from the point of view of a teen-from-hell anti-heroine (Christina Ricci). One of the year’s most acclaimed films, Roos described it as “a post-AIDS kind of tale from the late ’50s when there was the pill until AIDS there was a feeling that sex was careless and free and inconsequential and this movie has a different point of view.”
Born in New York on April 14, 1955, Roos first became involved with screenwriting while an undergraduate at the University of Notre Dame, where he took a screenwriting course. Following graduation, he moved to Hollywood in 1978 and spent the next eight years writing and producing for television. During a sabbatical he wrote the screenplay for Love Field, which was made into a 1991 film starring Michelle Pfeiffer in an Oscar-nominated performance… read more
It's hard to deny Happy Endings is a botch with ludicrous narrative plights, but it's one film whose tone I would kill to inhabit.
I love the dysfunctional, fucked-up, family dramedy sub-genre in indie films. This is so better than Crash.
Underrated hidden pleasure.Delightful mystery, plus maggie gylenhaal singing jazz.A treat, definitely.