In the future, a nuclear war has transformed the Earth into a radioactive wasteland where the sea has dried up leaving it as a post-apocalyptic desert. In the desert, A desert scavenger named Nomad discovers a robotic head, arriving in New York City, A space marine named Moses Baxter buys the robotic head from Nomad as a Christmas present for his girlfriend Jill Grakowski, who decides to use it for one of her sculptures. But all hell starts breaking loose, when the robotic head is activated and begins to rebuilt itself. When Alvy, a junkyard dealer discover the robotic head is a Mark 13, a military cyborg of a project that was abandoned. Moses learns Jill’s life is in danger, as the Mark 13 cyborg goes on a violent rampage in Jill’s apartment as Jill has become the the prime target for extermination. –IMDb
Richard Stanley (born 22 November 1966) is a film director and screenwriter born in South Africa. Stanley currently works and lives in London, England.
He has worked on music videos for bands like Fields of the Nephilim, as well as directing a 50-minute length video for Marillion’s concept album, Brave, which has since been released on DVD. In April 2006, it was announced he is to direct a new music video for Fields of the Nephilim’s latest studio album, Mourning Sun.
He has directed two feature films: Hardware in 1990 and Dust Devil in 1993.
Hardware was the subject of controversy when it was revealed that Stanley used the story “Shok!” (published in comic magazine 2000 AD) created by Kevin O’Neill and Steve MacManus for a basis of his screenplay. Only after a court case, which Stanley lost, were the two given writing credits on the film. Hardware is now considered the first 2000 AD story to be adapted into film.
Stanley contributed to the screenplay for… read more
An inventive and original sci-fi thriller makes great use of its low budget with Richard Stanley's sharp filmmaking and some impressive practical special effects. Definitely deserves to be better know, a cult classic.
Although I loved the industrial soundtrack, I found it jarring to the film's snail-like pacing. Poorly filmed too.
"Machines don't understand sacrifice. Neither do morons." Not as grand, personal and otherworldly as Dust Devil, but still endowed with a certain extraterrestrial melancholy.