From South to North America, Africa to Europe, the Afar, Alakaluf, Mapuche, Kawesqar, Quechua, Chipaya, Guarani and Yanomami peoples are rooted, both physically and culturally, in their native lands, resisting the political, economic and environmental factors that threaten their expulsion or even extinction. French photographer Raymond Depardon has explored these communities and their intimate connections between language, land and memory. This volume is a meditation on human attachment to the earth and an exploration of the notions of rootedness and uprooting. Published on the occasion of the exhibition Native Land at the Fondation Cartier pour l’art contemporain, Paris, this volume records Depardon’s extensive travels, his color Polaroids accompanying the words of these diminishing populations. It celebrates languages and invites the reader to step into these different cultures, experiencing the resistance of those who wish to remain on their home soil. —Alibris.com
Raymond Depardon is a photographer, a journalist and a filmmaker. He was born into a family of farmers in 1942 in Burgundy and went to Paris in 1958, wishing to be a photographer. He was first taken on as a messenger in an agency and was sent to take photos of an opening-night at the cinema: the movie was none other than Jean-Luc Godard’s Breathless. He finally established his own agency, Gamma, together with three reporters, in 1966 ‘not for money but for the freedom’. He suggested to set up a cinema department: ‘we bought an Eclair- camera and tried to make news-films for television in addition to taking news-photograhs… It was then that I learned to hold the camera." When Depardon films people, he is silent. If one has the impression that he always keeps his eyes lowered in the face of the world’s miseries, it is untrue. Raymond Depardon looks as through a lattice and reacts like quicksilver, keeping his deepest, innermost emotion secret, and allows his pictures to speak for themselves… read more