A running time of four and a half hours, a dozen main characters, a plot spanning nine years. This film from former “King of Pink” Zeze Takahisa tells the story of a revenge by proxy in truly epic scope. Eight-year-old Sato, whose family was wiped out by a psychopath who then went on to kill himself, learns by chance of a man who has sworn to take revenge on the man who murdered his wife and daughter. For eight long years she waits in vain for him to keep his promise, then takes the initiative herself, setting in motion a chain of tragic events that gradually plunges everyone involved into misery. As the story unfolds, we meet a policeman who has become a contract killer to support the family of a man whom he killed in self-defense; a partially deaf rock musician who manages to break the cycle of violence for a few years at least; a woman suffering from Alzheimer’s who adopts a convicted murderer who ends up taking care of her further down the line. Masked theater forms a point of reference for the narrative traditions Heaven’s Story so convincingly feeds on, providing the framework for this sprawling epic of surreal settings and eerie coincidences. –Berlinale
Takahisa Zeze (瀬々敬久 Zeze Takahisa?, born in 1960) is a Japanese film director and screenwriter best known for his soft-core pornographic pink films of the 1990s. Along with fellow directors, Kazuhiro Sano, Toshiki Satō, and Hisayasu Sato, he is known as one of the “Four Heavenly Kings of Pink” (ピンク四天王 pinku shitennō?).
Takahisa Zeze was born in 1960 and graduated from Kyoto University in 1986. While attending this prestigious university, Zeze began making experimental films. He began his career in the film industry working for Shishi Productions as a screenwriter and assistant director for various pink film directors, including Hisayasu Satō.
Zeze usually writes the scripts for his films, which often contain examinations of social concerns not usually found in the pink film genre. His style is much less violent than Sato’s, and rarely includes rape, one of the traditional thematic staples of the pink film from earliest times. Zeze also engages in more satire and self-conscious… read more
Like "Profound Desire of the Gods" it's not what character actions reveal about us it's what it conceals. The deeper one goes the deeper one finds the hole to be. Answers are not there... Just a chance for one more meaningful hug.
Someone please enlighten me as to where I might be able to find this film. I must see it.