Pinhead is stuck in a block after the Big Confrontation in “Hellbound,” The block containing Pinhead and the puzzle cube is bought by a young playboy as sculpture. Pinhead busies himself escaping by getting the playboy to lure victims to his presence so he can use their blood. Once free, he seeks to destroy the puzzle cube so he need never return to Hell, but a female reporter is investigating the grisly murders and stands in his way. —IMDb
Anthony Hickox (born 1964) is an English film director, actor, film producer and screenwriter.
His works include Waxwork and its sequel, Waxwork II: Lost in Time, Sundown: The Vampire in Retreat, Hellraiser III: Hell on Earth, “Prince Valiant”, “Children of the Corn”, “Warlock: Armageddon”, “Payback”, “Carnival of Souls”, “Knife Edge”" and “Yellow” (2012).
Anthony “Tony” Hickox comes from a family of filmmakers. He is the eldest son of the director Douglas Hickox and Academy Award winning editor Anne V. Coates and brother of editor Emma E. Hickox and director James D.R. Hickox. He is also the great grandson of Lord J. Arthur Rank who controlled the British film industry for many years.
After starting as a club premotor in london he came to LA in 1986 and became one of the most prolific horror writer/directors of the late 80’s and 90’s. His visual style often uses a dual-focus technique in which one person’s face takes up most the screen in profile, with another… read more
Somehow has better continuity than 2 yet the tone is completely off. Hickox defines gratuity by inserting his own name at various places in the movie and spending a good chunk of cash on long war segments that are merely dreams and an explosive ending for no reason. Nevertheless this is where Pinhead is developed and shown his human core. --PolarisDiB
After the eventually pointless first sequel, this is redundant to the point it’s not worth having a deeper review on – one of many sequels in existence that was cobbled together sloppily for commerce only. When your biggest ideas include a Cenobite who throws CDs like razor-sharp Frisbees, who belongs to a parody not a sequel to a serious first film, and can’t even make that work the whole product falls to pieces.