Born in Chicago, IL, writer/director Philip Kaufman makes accessible American art films and stays out of the Los Angeles area, preferring the home base of San Francisco, working with his wife, Rose, and his son Peter. After studying at the University of Chicago and Harvard Law School, he taught English in Europe and began work on a novel. He got into filmmaking in the ‘60s after traveling to California to meet his literary mentor, Henry Miller. His first two films were satirical comedies: Goldstein, co-directed by Benjamin Manaster, and Fearless Frank, starring a young Jon Voight. During the ’70s he reworked several great American genres with the Western The Great Northfield, Minnesota Raid, the whaling adventure The White Dawn, the sci-fi thriller Invasion of the Body Snatchers, and the coming-of-age drama The Wanderers. During this time, he also received writing credits for the highly successful films The Outlaw Josey Wales and Raiders of the Lost Ark. In the ’80s, he turned to literary… read more
Anaïs Nin has got the talent to awaken you in a unique, elegant way. Kaufmans film about her intense affair with Henry, their passion for writing and their obsession with June is showing the artistic world of the 30s from a poetic, forbidden and vivacious prospective. The touch of old typewriters, the poetic language of the characters, flamenco-scenes, her seductive eyes... a stunning performance, great cinema!
For some reason, I can't bring myself to like, or even enjoy this movie. I am pretty sure they had a wonderful script, but somewhere in between, Philip Kaufman couldn't bring the greatness of Nin's diaries to the screen.
Terrific picture. Uma Thurman reminds of Dominique Sanda in this film, for some reason. Maybe because they both play quasi-goddesses and they both have luscious lips. And what became of Maria de Medeiros? She was really wonderful in this picture. I think she was also a dancer which you can see when does her flamenco moves.