High Fidelity follows the ‘mid-life’ crisis of Rob, a thirty-something record-store owner who must face the undeniable facts – he’s growing up. In a hilarious homage to the music scene, Rob and the wacky, offbeat clerks that inhabit his store expound on the intricacies of life and song all the while trying to succeed in their adult relationships. Are they listening to pop music because they are miserable? Or are they miserable because they listen to pop music? This romantic comedy provides a whimsical glimpse into the male view of the affairs of the heart. –IMDb
Frears was born in Leicester, England to an Anglican father and a Jewish mother. Attended the Trinity College in Cambridge before starting his carreer in television where he contributed to several high-profile series such as the BBC’s Play for Today. In the mid-1980s he came to prominence as an important director of British and later American films. It was his production of the one-off drama My Beautiful Laundrette for Channel 4 in 1985 that led to his notice as a capable film director when the production was released theatrically to great acclaim. He next directed another successful British film, the Joe Orton biopic Prick Up Your Ears in 1987, followed by a second film from a Hanif Kureshi screen play, Sammy and Rosie Get Laid. The following year he made his Hollywood debut with Dangerous Liaisons. Frears had another critical success with The Grifters, for which he was nominated for the Academy Award for Best Director but suffered a major box office disappointment with Hero, starring… read more
man, do i love this fucking movie. ever since i first saw it in high school. it was one of those 'we quote it every day' movies between me and my friend. watching this always brings me back to a good place. there might be a dull moment or two, but overall, this really is one of the most 'perfect' movies (in my opinion).. and no movie is better than the movie that is playing, in my head, with ian.. :breaks down:
Dick: I guess it looks as if you're reorganizing your records. What is this though? Chronological? Rob: No... Dick: Not alphabetical... Rob: Nope... Dick: What? Rob: Autobiographical. Dick: No fucking way.
I revisit this film often as I found it to be the most joyous film that embraced music and all the emotions that music evokes in us and highlighted that in a great way. I loved Cusack in this too, his spontaneity and charisma made him such a memorable character. I always wonder what it would of been like if they kept true to the novel and based the film in London though...