Holy Lola

One of France’s premiere directors, screenwriters, and producers, Bertrand Tavernier is renowned for making dramas encompassing themes as diverse as familial relationships, World War I, and contemporary social ills. Regardless of the subjects they explore, Tavernier lends his films great introspection and humanity, something that has established him as one of the French cinema’s more progressive and compassionate figures.
Born in Lyon on April 25, 1941, Tavernier grew up with a love of film and wanted to be a director from the age of 13. He was particularly influenced by such American directors as Joseph Losey, John Ford, Samuel Fuller, and William Wellman, and – during a spell at the Sorbonne, where he studied law – he became involved in the film industry as an assistant director for Jean-Pierre Melville. Tavernier became then a film critic and worked for prestigious publications as Positif and Cahiers du Cinema. His first feature film, L’Horloger de St. Paul (1974), received international acclaim and a Special Jury Prize at the Berlin Film Festival. It also featured a starring turn by Philippe Noiret, whom Tavernier featured often in subsequent projects. Many of his films – from Le Juge et l’Assassin to Un Dimanche à la Campagne from Une Semaine de Vacances to La Passion Béatrice gained great critical success and earned a number of awards. —World Cinema Foundation