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Home

Switzerland, France, Belgium

2008

98 Min
Color
1.85:1
French
  • Currently 3.8/5 Stars.
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DIR Ursula Meier

PROD Denis Delcampe, Denis Freyd, Thierry Spicher, Elena Tatti

SCR Ursula Meier, Alice Winocour, Antoine Jaccoud, Olivier Lorelle

DP Agnès Godard

CAST Isabelle Huppert, Olivier Gourmet, Adélaïde Leroux, Madeleine Budd, Kacey Mottet Klein

ED François Gédigier, Nelly Quettier, Susana Rossberg

PROD DES Ivan Niclass

SOUND Étienne Curchod

Cannes (Semaine de la critique), London, San Francisco (New Directors), Mar del Plata (International Competition): Best Actress, ADF Cinematography Award, Stockholm (Open Zone), Melbourne (International Panorama)

Synopsis

In Ursula Meier’s stunning theatrical debut (the official Swiss submission for this year’s Academy Award for Best Foreign Film), a family’s peaceful existence is threatened when a busy highway is opened right next to their isolated property. As the sounds and fumes of the modern world begin to fill their home, each member of the family (including Isabelle Huppert and Oliver Gourmet, both in tour-de-force performances) finds themselves pushed to dangerous extremes.—Lorber Films

Director

Original

Ursula Meier

Ursula Meier (born 24 June 1971) is a French-Swiss film director who received the Best Director award at the 2008 Festival du Film Francophone d’Angoulême [Angoulême French-Language Film Festival] for her first theatrical feature, Home, which won the 2009 Swiss Film Prize for Bester Spielfilm [Best Film] as well as Bestes Drehbuch [Best Screenplay] (shared with Antoine Jaccoud). It also received France’s César nomination for Meilleur Premier Film [Best First Film] and a Best Film nomination at Argentina’s Mar del Plata Film Festival.

A native of Besançon, the capital of the Franche-Comté region in eastern France, near the Swiss border, Ursula Meier graduated from Belgium’s Institut des Arts de Diffusion [Institute of Visual Arts] and served as assistant director to the internationally-renowned Swiss auteur, Alain Tanner, on his films Fourbi [Gear] (1996) and Jonas et Lila, à demain [Jonas and Lila, ‘Till Tomorrow] (1999). She won her first major film… read more

Wall

Displaying 4 of 15 wall posts.
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DeJardinblum

12Sep11

An insular and optimistic interpretation of Barthesian sentiments, it's like The Seventh Continent, but held delicately to a smashed mirror.

dipa89 and 3 others like this

speakingparts, bettyinabluemovie, mannequinlegs

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Ahmed Nabil

22May11

something wrong with the Synopsis!

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JapeMan

19Apr11

Madeleine Budd is amazing in this film. Why hasn't she done anything since?

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The Stunner

12Feb11

unless it's supposed to be this astoundingly deep allegory whose meaning i can't grasp, i can't say i take it seriously at all.

PoutingBear and Westley like this

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Articles

Our roundup of essays and articles on this film.
W184

"The Private Lives of Pippa Lee," "Home," "Ward No. 6"...

By David Hudson on November 27, 2009

"Rebecca Lee Miller's melodrama The Private Lives of Pippa Lee - which she based on her own novel - is told from the perspective of the title

read article
W184

Movie Poster of the Week: "Home"

By Adrian Curry on November 27, 2009

What better title for Thanksgiving weekend? And what better film for the annual urban exodus than this superb debut feature by French-Swiss

read article

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Reviews

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Ursula Meier's promise...

By Ben Fellini on January 27, 2010

I originally saw this film at the BFI and met Meier, her description of the film as a remake of Hitchcock’s ‘The Birds’ only with cars striking the psyche of the family living on the edge of the highway…  read review

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