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Doğan, a pessimistic and neurotic architect, gets ill while camping with his friends near Istanbul. His doctor advises him to travel. Longing for his homeland, Doğan sets off on a short break to the town of his childhood that he has not seen for years, but not even the countryside has escaped the homogenizing web cast by the modern technological age and liberal mentality inimical to the earth. Doğan looks in vain for the days in which time seemed inexhaustible and peculiar to objects, and for the geography which used to be tranquility itself. –Tokyo IFF