Grief? Depression? Ambiguity in a Paris hotel room. Jack Whitman lies on a bed, ordering a grilled cheese sandwich from room service. His phone rings; it’s a woman on her way to see him, a surprise. He readies the room, moving without affect, drawing a bath, changing his clothes. She arrives, as does the food, and the complications of their relationship emerge in bits and pieces. He invites her out on the balcony to see his view. Will they make love? Is the relationship over?
Born and raised in Houston, Texas, Anderson was interested in filmmaking and performance from a young age, shooting crude Super-8 movies and staging elaborate school plays. As a philosophy student at the University of Texas at Austin, Anderson found a kindred spirit in classmate Owen Wilson, who shared the director’s passion for playwriting and watching classic films of the ‘70s. The two became roommates and lingered at UT; as Anderson honed his skills at a local public access television station and Wilson performed in local stage productions. The duo then set out to shoot a full-length script they wrote, titled Bottle Rocket, recruiting two of Wilson’s brothers, Luke Wilson and Andrew Wilson, to perform. Despite Andrew’s production connections in Austin, however, the team eventually ran out of film stock and funds, and they had to edit their footage into a 13-minute short. The black-and-white production eventually found its way to fellow Texan filmmaker L.M. Kit Carson, a family friend… read more
Although I liked it its a bit too stuffed with symbolism, with yellows and blacks and yellow butterflies and black dragonflies and crossover of colours to symbolize stuff and so on. A bit affected but honest.