Many years ago, a young woman named Unai-Otome lived in the village of Ikuta. As she was beautiful it was no surprise that she had two suitors, both deeply in love with her. The girl was torn apart over which one to choose. In her desperation she chose a third option – taking her own life. Although her intentions were absolutely pure, not even in death did she find the solace she desired. Many decades later, a pilgrim walking by her grave meets a beautiful young woman and her story once again rises from the depths of time…. With a plot based on a classic play of Noh traditional theatre, the film presents the peak of Kawamoto’s mastery thanks to its expert mediation of the absurdity of the human condition. —Karlovy Vary International Film Festival
Born in 1925, from an early age Kihachiro Kawamoto was captivated by the art of doll and puppet making. After seeing the works of maestro Czech animator Jiri Trnka, he first became interested in stop motion puppet animation and during the 50s began working alongside Japan’s first stop motion animator, the legendary Tadahito Mochinaga. In 1958, he co-founded Shiba Productions to make commercial animation for television, but it was not until 1963, when he traveled to Prague to study puppet animation under Jiri Trnka for a year, that his puppets truly began to take on a life of their own. Trnka encouraged Kawamoto to draw on his own country’s rich cultural heritage in his work, and so Kawamoto returned from Czechoslovakia to make a series of highly individual, independently-produced artistic short works, beginning with Breaking of Branches is Forbidden (Hana-Ori) in 1968. Heavily influenced by the traditional aesthetics of Noh, Bunraku doll theatre and Kabuki, since the 70s his haunting… read more
